Dressing Keanu: Sprezzatura and fashioning ageing masculinity on the red carpet

Film premieres, festivals and award ceremonies function as key sites of labour within the creative industries, creating a synergy between film, fashion and star-celebrity culture. Despite the pivotal role that fashion plays in film promotion strategies, ageing masculinities and menswear on the red carpet remains an under-examined area of critical analysis. Adopting an interdisciplinary approach drawing upon critical work in fashion, film and cultural studies, this article examines the sartorial representation of Keanu Reeves during the promotion of John Wick: Chapter 4. Through the visual analysis of his look at the London premiere in March 2023, I argue that Reeves’s adoption of sprezzatura deliberately disrupts sartorial expectations of red carpet masculinities, maximizing his brand value as a celebrity-commodity. In negotiating the fashioning of ageing masculinity, Reeves’s star-celebrity styling evokes both the aesthetic of the Gen Z dark academia viral trend and nostalgia for his youthful eroticized self to perpetuate his enduring cross-generational appeal.

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Publication Details

Journal
Critical Studies in Men’s Fashion
Published
2024-10-01
DOI
https://doi.org/10.1386/csmf_00086_1
Primary Topic
Fashion and Cultural Textiles
Type
article
Field-Weighted Citation Impact
0.00
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article

Dressing Keanu: Sprezzatura and fashioning ageing masculinity on the red carpet

Sarah Gilligan
Critical Studies in Men’s Fashion
Fashion and Cultural Textiles
article

Dressing Keanu: Sprezzatura and fashioning ageing masculinity on the red carpet

Sarah Gilligan
article en

Abstract

Film premieres, festivals and award ceremonies function as key sites of labour within the creative industries, creating a synergy between film, fashion and star-celebrity culture. Despite the pivotal role that fashion plays in film promotion strategies, ageing masculinities and menswear on the red carpet remains an under-examined area of critical analysis. Adopting an interdisciplinary approach drawing upon critical work in fashion, film and cultural studies, this article examines the sartorial representation of Keanu Reeves during the promotion of John Wick: Chapter 4. Through the visual analysis of his look at the London premiere in March 2023, I argue that Reeves’s adoption of sprezzatura deliberately disrupts sartorial expectations of red carpet masculinities, maximizing his brand value as a celebrity-commodity. In negotiating the fashioning of ageing masculinity, Reeves’s star-celebrity styling evokes both the aesthetic of the Gen Z dark academia viral trend and nostalgia for his youthful eroticized self to perpetuate his enduring cross-generational appeal.

Critical Studies in Men’s FashionVol. 11(2)
Northumbria University (GB)
Openalex Percentile: Top 65%
Fashion and Cultural Textiles
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