"The World of Women Arises" (To Work)

The hugely popular 1962 Telugu film Gundamma Katha borrows heavily from William Shakespeare’s The Taming of the Shrew. The film is a social comedy in which two male protagonists work together to tame a shrewish woman and her mother, saving a virtuous sister in the process. The objective of such taming is the conversion of the shrew into that of the virtuous housewife. This essay argues that both shrewishness and virtue are indexed in the film to a particular conception of labor that tropologically surrounds Telugu regional identity. In this framework, the virtuous woman is expected to work while also being indifferent to the accrual of material wealth. The economy of virtue and labor in the film emerges as a reading of The Taming of the Shrew’s mechanics of misogyny, and can thus be put into conversation with criticism that focuses on the economics of the play. Rather than disavowing the play’s misogyny, the film showcases how Shakespeare becomes a source in the making of a Telugu regional identity in the twentieth century.

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Publication Details

Journal
Borrowers and Lenders The Journal of Shakespeare Appropriations
Published
2025-03-19
DOI
https://doi.org/10.18274/pm15zn52
Primary Topic
Political and Economic history of UK and US
Type
article
Field-Weighted Citation Impact
0.00
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article

"The World of Women Arises" (To Work)

Goutam Piduri
Borrowers and Lenders The Journal of Shakespeare Appropriations
Political and Economic history of UK and US
article

"The World of Women Arises" (To Work)

Goutam Piduri
article en

Abstract

The hugely popular 1962 Telugu film Gundamma Katha borrows heavily from William Shakespeare’s The Taming of the Shrew. The film is a social comedy in which two male protagonists work together to tame a shrewish woman and her mother, saving a virtuous sister in the process. The objective of such taming is the conversion of the shrew into that of the virtuous housewife. This essay argues that both shrewishness and virtue are indexed in the film to a particular conception of labor that tropologically surrounds Telugu regional identity. In this framework, the virtuous woman is expected to work while also being indifferent to the accrual of material wealth. The economy of virtue and labor in the film emerges as a reading of The Taming of the Shrew’s mechanics of misogyny, and can thus be put into conversation with criticism that focuses on the economics of the play. Rather than disavowing the play’s misogyny, the film showcases how Shakespeare becomes a source in the making of a Telugu regional identity in the twentieth century.

Borrowers and Lenders The Journal of Shakespeare AppropriationsVol. 16(2)
John Brown University (US)
Openalex Percentile: Top 93%
Political and Economic history of UK and US
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