THE MUSICAL CODE OF VARLAM SHALAMOV'S POETRY

The article is devoted to the problem of intermediality, the interaction of literature (poetry) and music in the lyrical heritage of V. T. Shalamov. It is noted that the boundaries and forms of manifestation of the concept of "musicality in literature" are not sufficiently formed in literary and cultural studies. In the poetic heritage of Varlam Shalamov, such vivid manifestations of intermediality as the penetration of musical motifs and images into the lyrical text are found; examples of "musicalization" of poetic texts using sound repetitions, poetic intonation (in particular, using inversion) are considered. The article focuses on the variety of metrical and strophic techniques and forms to create a special musical sound of the poet's poems. The intensity of synthetic trends in the culture of the XXI century It is confirmed in the article by the analysis of the cantata by the modern composer Mikhail Gogolin "Silentium" based on V. Shalamov's poems. The melodic interpretation of the poet's famous and less popular poems fully reflects their musicality, the verbal text is modified through music, and sometimes receives a different interpretation.