Exploring the sustainability strategies of crime-sculpture nexus in ghana through the sociological interpretivist approach

Based on Routine Activity Theory (RAT), this study empirically explored the motivations for environmental harm, factors contributing to the suitability of the environment as a target for ecological harm, and sustainability strategies to unravel the ecological crime scene in Ghana’s sculpture industry. By employing interpretive phenomenology alongside a descriptive research design, we purposively sampled and conducted semi-structured interviews with 25 sculpture designers. Data were processed with NVivo 14.0 and thematically analyzed using interpretative phenomenological analysis to identify recurring themes, patterns, and insights. The fundamental motivating factors driving environmentally harmful practices include a profit-driven mindset, market demand for fast sculpture products, limited awareness and education, resource constraints, and cultural and aesthetic preferences. The abundance of natural resources and ecosystems emerged as targets of the environment for ecological harm. While sustainable strategies such as a shift towards eco-friendly materials, ethical practices, sustainable sourcing, and ethical production were identified, challenges and gaps like the lack of transparency and greenwashing were also observed. We have provided adequate evidence to unravel the ecological crime scene in the sculpture industry, informing policy and practice toward sustainable environmental practices and social responsibilities while aiming at economic viability.