BOUNDARIES OF BEING IN THE EYES OF FRANZ KAFKA’S METAMORPHOSIS

The presented Artwork projects evoking the centenary (2024) of Franz Kafka´s death developed at the end of last academic year 2023/2024 by College of Arts and Design (ESAD, Matosinhos - Portugal) and University of Design, Innovation and Technology University (UDIT, Madrid - Spain), centred its focus on creative storytelling production for film, animation and gaming. At the turn of the twenty-first century or pictorial turn, we are seeking to understand to what extent the realm of moving pictures establishes the tension between belief and disbelief, or the depicted real and the constructed reality, staging sentimental fabulations of being. The metaphor of the boundaries of being in-between Metamorphosis and primal scenes unfolds the need of debating filmic object´s post-mediation and its immersive experience today. After a century of history, cinema seen as an Art form - which depicts space, time and causality - is still today subject of constantly evolving, and wherein the diegetic world of the presented Artwork projects aims to foster critical thinking upon the Metamorphosis´ main protagonist Gregor Samsa major existential concerns, still new today.

Authors

Institutions

Publication Details

Journal
Design/Arts/Culture
Published
2025-03-17
DOI
https://doi.org/10.12681/dac.39281
Primary Topic
Franz Kafka Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

BOUNDARIES OF BEING IN THE EYES OF FRANZ KAFKA’S METAMORPHOSIS

Tomé Saldanha Quadros, Marta Varzim
Design/Arts/Culture
Franz Kafka Literary Studies
article

BOUNDARIES OF BEING IN THE EYES OF FRANZ KAFKA’S METAMORPHOSIS

Tomé Saldanha Quadros, Marta Varzim
article en

Abstract

The presented Artwork projects evoking the centenary (2024) of Franz Kafka´s death developed at the end of last academic year 2023/2024 by College of Arts and Design (ESAD, Matosinhos - Portugal) and University of Design, Innovation and Technology University (UDIT, Madrid - Spain), centred its focus on creative storytelling production for film, animation and gaming. At the turn of the twenty-first century or pictorial turn, we are seeking to understand to what extent the realm of moving pictures establishes the tension between belief and disbelief, or the depicted real and the constructed reality, staging sentimental fabulations of being. The metaphor of the boundaries of being in-between Metamorphosis and primal scenes unfolds the need of debating filmic object´s post-mediation and its immersive experience today. After a century of history, cinema seen as an Art form - which depicts space, time and causality - is still today subject of constantly evolving, and wherein the diegetic world of the presented Artwork projects aims to foster critical thinking upon the Metamorphosis´ main protagonist Gregor Samsa major existential concerns, still new today.

Design/Arts/CultureVol. 5(1)
Escola Superior de Artes e Design (PT)
Openalex Percentile: Top 94%
Franz Kafka Literary Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

BOUNDARIES OF BEING IN THE EYES OF FRANZ KAFKA’S METAMORPHOSIS — Tomé Saldanha Quadros, Marta Varzim · Design/Arts/Culture (2025) | TGRS Research Map | TGRS