Gimęs Ukrainoje, tapęs vilniečiu: dailininkas Konstantinas Otoselskis

The name of the artist and stage decorator Konstanty Ottosielski (Otoszelski, ca 1755–1809) is well known among culture historians, with brief biograms being included in biographical dictionaries of Lithuania’s and Poland’s artists.3 Nonetheless, in terms of his biography and his artistic legacy, this is a figure who has been researched in a very fragmented manner, perhaps because thus far not a single piece of his work is known to exist. Data is usually given in publications that in around 1780 Ottosielski worked for the Radziwiłł princes in Nesvyzh, where he painted decorations for the court theatre there, before moving to the Sapieha family’s Derechin estate, and lived in Vilnius from 1793 where he created a number of theatrical set designs and interior mural paintings.4 This article focuses on research of this artist’s biography, using sources to correct the life dates of the artist and his family members, the geography of his activities, paying particular attention to his time spent in Vilnius.

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Publication Details

Journal
XVIII amžiaus studijos / Eighteenth-Century Studies
Published
2024-12-30
DOI
https://doi.org/10.33918/23516968-010013
Primary Topic
Historical Geopolitical and Social Dynamics
Type
article
Field-Weighted Citation Impact
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article

Gimęs Ukrainoje, tapęs vilniečiu: dailininkas Konstantinas Otoselskis

Rūta Janonienė
XVIII amžiaus studijos / Eighteenth-Century Studies
Historical Geopolitical and Social Dynamics
article

Gimęs Ukrainoje, tapęs vilniečiu: dailininkas Konstantinas Otoselskis

Rūta Janonienė
article en

Abstract

The name of the artist and stage decorator Konstanty Ottosielski (Otoszelski, ca 1755–1809) is well known among culture historians, with brief biograms being included in biographical dictionaries of Lithuania’s and Poland’s artists.3 Nonetheless, in terms of his biography and his artistic legacy, this is a figure who has been researched in a very fragmented manner, perhaps because thus far not a single piece of his work is known to exist. Data is usually given in publications that in around 1780 Ottosielski worked for the Radziwiłł princes in Nesvyzh, where he painted decorations for the court theatre there, before moving to the Sapieha family’s Derechin estate, and lived in Vilnius from 1793 where he created a number of theatrical set designs and interior mural paintings.4 This article focuses on research of this artist’s biography, using sources to correct the life dates of the artist and his family members, the geography of his activities, paying particular attention to his time spent in Vilnius.

XVIII amžiaus studijos / Eighteenth-Century Studies
Openalex Percentile: Top 53%
Historical Geopolitical and Social Dynamics
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