How much is too much? Effects of unexpressive, expressive, and overly-expressive conducting on ensemble expressivity ratings

The purpose of this study was to investigate the effects of unexpressive, expressive, and overly-expressive conducting on college musicians’ ratings of ensemble expressivity. Participants ( N = 133) from the United States viewed three video recordings of three conductors whose unexpressive, expressive, or overly-expressive conducting performances had been synchronized with the same corresponding, high-quality audio recordings. After viewing each of the three excerpts in one of three counterbalanced orders, participants rated the expressivity of the ensemble’s performance. We found a significant effect for conductor expressivity, but there was also a significant conductor expressivity × order interaction. Although participants’ ratings were influenced by conductor expressivity, they were not independent of viewing order. Implications for conductors and recommendations for future research are discussed.

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Publication Details

Journal
International Journal of Music Education
Published
2025-03-26
DOI
https://doi.org/10.1177/02557614251328171
Citations
1
Primary Topic
Creativity in Education and Neuroscience
Type
article
Field-Weighted Citation Impact
2.12
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article

How much is too much? Effects of unexpressive, expressive, and overly-expressive conducting on ensemble expressivity ratings

Brian A. Silvey, D. Gregory Springer, Carla Clark, Amanda Greenbacker-Mitchell et al.
1 citations
International Journal of Music Education
Creativity in Education and Neuroscience
2.12
article

How much is too much? Effects of unexpressive, expressive, and overly-expressive conducting on ensemble expressivity ratings

Brian A. Silvey, D. Gregory Springer, Carla Clark, Amanda Greenbacker-Mitchell, Nicholas Doshier, Andrew Dubbert
article en
1 citations

Abstract

The purpose of this study was to investigate the effects of unexpressive, expressive, and overly-expressive conducting on college musicians’ ratings of ensemble expressivity. Participants ( N = 133) from the United States viewed three video recordings of three conductors whose unexpressive, expressive, or overly-expressive conducting performances had been synchronized with the same corresponding, high-quality audio recordings. After viewing each of the three excerpts in one of three counterbalanced orders, participants rated the expressivity of the ensemble’s performance. We found a significant effect for conductor expressivity, but there was also a significant conductor expressivity × order interaction. Although participants’ ratings were influenced by conductor expressivity, they were not independent of viewing order. Implications for conductors and recommendations for future research are discussed.

International Journal of Music Education
University of Arkansas at Little Rock (US), Florida State University (US), University of Missouri (US)
Openalex Percentile: Top 16%
Creativity in Education and Neuroscience
2.12
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