The long march to Unicode: a digital approach to variability in Icibemba orthography

The study examined the orthography of Icibemba, a Bantu language spoken in Zambia and Congo─Kinshasa. The findings recommended adopting Unicode standards wherever different letters (graphemes) represented the same speech sound (allophone). For example, the monograph symbol <c> and the digraph symbol <ch> represented the same speech sound, i.e. the voiceless affricate <ch> as in batch (IPA [tʃ]), the starred form (*) being inconsistentCl.3/4 <umucila>→ [umucila] → /u─mu─cila/’tail’Cl.3/4 *<umuchila> → [umucila] → /u─mu─cila/’tail’Secondly, the monograph symbol <V > and the digraph symbol <VV> were not being used to distinguish short and long vowels, contrary to the syllable structure of IcibembaCl.14 <ubuuci> → [uβuci] → /u─bu─uci/’honey’Cl.14 *<ubuchi> → [uβuci] → /u─bu─uci/’honey’Thirdly, certain graphemes represented allophones in an irregular manner by ignoring the existence of more suitable options dictated by the particular structural environment. Examples included(1) The use of <r> instead of <l>*< Mporokoso> → <Mpolokoso> → [mpolokoso] → /Ø–mpolokoso/’a district in northern Zambia’;(2) The use of <w> instead of <b>*< Luwingu> → <Lubingu> → [luβingu] → /Ø–luβingu/’a district in northern Zambia’.

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Publication Details

Journal
Cogent Arts and Humanities
Published
2025-03-25
DOI
https://doi.org/10.1080/23311983.2025.2477347
Primary Topic
Linguistic Studies and Language Acquisition
Type
article
Field-Weighted Citation Impact
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article

The long march to Unicode: a digital approach to variability in Icibemba orthography

Alex Kasonde
Cogent Arts and Humanities
Linguistic Studies and Language Acquisition
article

The long march to Unicode: a digital approach to variability in Icibemba orthography

Alex Kasonde
article en

Abstract

The study examined the orthography of Icibemba, a Bantu language spoken in Zambia and Congo─Kinshasa. The findings recommended adopting Unicode standards wherever different letters (graphemes) represented the same speech sound (allophone). For example, the monograph symbol <c> and the digraph symbol <ch> represented the same speech sound, i.e. the voiceless affricate <ch> as in batch (IPA [tʃ]), the starred form (*) being inconsistentCl.3/4 <umucila>→ [umucila] → /u─mu─cila/’tail’Cl.3/4 *<umuchila> → [umucila] → /u─mu─cila/’tail’Secondly, the monograph symbol <V > and the digraph symbol <VV> were not being used to distinguish short and long vowels, contrary to the syllable structure of IcibembaCl.14 <ubuuci> → [uβuci] → /u─bu─uci/’honey’Cl.14 *<ubuchi> → [uβuci] → /u─bu─uci/’honey’Thirdly, certain graphemes represented allophones in an irregular manner by ignoring the existence of more suitable options dictated by the particular structural environment. Examples included(1) The use of <r> instead of <l>*< Mporokoso> → <Mpolokoso> → [mpolokoso] → /Ø–mpolokoso/’a district in northern Zambia’;(2) The use of <w> instead of <b>*< Luwingu> → <Lubingu> → [luβingu] → /Ø–luβingu/’a district in northern Zambia’.

Cogent Arts and HumanitiesVol. 12(1)
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The long march to Unicode: a digital approach to variability in Icibemba orthography — Alex Kasonde · Cogent Arts and Humanities (2025) | TGRS Research Map | TGRS