Rozliczenie z nazizmem w powojennych animacjach czechosłowackich: Bunt zabawek i Jak kominiarczyk wyprowadził SS w pole

The topic of the article is an analysis of two post-war Czechoslovak animated films – The Revolt of toys (Vzpoura hraček, dir. Hermína Týrlová and František Sádek) and Springman and the SS (Pérák a SS, dir. Jiří Trnka and Jiří Brdeček) – showing Nazis in a critical manner and presenting the symbolic victory of the Czech nation over the oppressive political system. In both films, two different ways of dealing with conflict collide: the Nazis are suspicious, attached to certain schemes, and devoid of any sense of self-irony, while the characters representing Czechoslovakia (animated toys and Czech “superhero” Pérák) are creative, willing to improvise and make jokes. Both animations settle with the past – they take into consideration the events of the World War II and at the same time the necessity of Czechoslovakia’s functioning under the protectorate of the Third Reich.

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Publication Details

Journal
Panoptikum
Published
2024-12-30
DOI
https://doi.org/10.26881/pan.2024.32.11
Primary Topic
Polish Historical and Cultural Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Rozliczenie z nazizmem w powojennych animacjach czechosłowackich: Bunt zabawek i Jak kominiarczyk wyprowadził SS w pole

Marta Maciejewska
Panoptikum
Polish Historical and Cultural Studies
article

Rozliczenie z nazizmem w powojennych animacjach czechosłowackich: Bunt zabawek i Jak kominiarczyk wyprowadził SS w pole

Marta Maciejewska
article en

Abstract

The topic of the article is an analysis of two post-war Czechoslovak animated films – The Revolt of toys (Vzpoura hraček, dir. Hermína Týrlová and František Sádek) and Springman and the SS (Pérák a SS, dir. Jiří Trnka and Jiří Brdeček) – showing Nazis in a critical manner and presenting the symbolic victory of the Czech nation over the oppressive political system. In both films, two different ways of dealing with conflict collide: the Nazis are suspicious, attached to certain schemes, and devoid of any sense of self-irony, while the characters representing Czechoslovakia (animated toys and Czech “superhero” Pérák) are creative, willing to improvise and make jokes. Both animations settle with the past – they take into consideration the events of the World War II and at the same time the necessity of Czechoslovakia’s functioning under the protectorate of the Third Reich.

Panoptikum(32)
University of Gdańsk (PL)
Openalex Percentile: Top 53%
Polish Historical and Cultural Studies
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