Świat podzielony. Opętanie Andrzeja Żuławskiego jako thriller polityczny i psychologiczny

Andrzej Żuławski’s Possession can be read as a political and psychological thriller about a world divided by the Cold War at the turn of the 1970s and 1980s. It is a world permeated by mysterious forces of “evil”. Żuławski’s heroes are people living in a state of neurosis and fear. The film depicts an obsession with dangerous manipulation of mental and biological forces activated under the influence of ideology. In Possession, the director presents a critical diagnosis of Western culture in the 1970s - the time after the contestation and sexual revolution.

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Publication Details

Journal
Panoptikum
Published
2024-12-30
DOI
https://doi.org/10.26881/pan.2024.32.10
Primary Topic
Polish-Jewish Holocaust Memory Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Świat podzielony. Opętanie Andrzeja Żuławskiego jako thriller polityczny i psychologiczny

Marcin Maron
Panoptikum
Polish-Jewish Holocaust Memory Studies
article

Świat podzielony. Opętanie Andrzeja Żuławskiego jako thriller polityczny i psychologiczny

Marcin Maron
article en

Abstract

Andrzej Żuławski’s Possession can be read as a political and psychological thriller about a world divided by the Cold War at the turn of the 1970s and 1980s. It is a world permeated by mysterious forces of “evil”. Żuławski’s heroes are people living in a state of neurosis and fear. The film depicts an obsession with dangerous manipulation of mental and biological forces activated under the influence of ideology. In Possession, the director presents a critical diagnosis of Western culture in the 1970s - the time after the contestation and sexual revolution.

Panoptikum(32)
Maria Curie-Skłodowska University (PL)
Openalex Percentile: Top 53%
Polish-Jewish Holocaust Memory Studies
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