Cosmopolitanisms : premise naming in Dagoretti and Nairobi West as a site for exercising identity

What happens when a space is at once seemingly ancestral but with ties to a brash city like Nairobi? How does its residences define themselves? What can populate some of its signage for business premises? This paper is interested in comparing the naming of business premises in Dagoretti, in an area known as Kawangware Market, and what obtains in Nairobi West’s market area off Lang’ata road. The paper is interested in how names point to different kinds of cosmopolitanism, as well as the problematic idea of gentrification. In what ways has the kind of gentrification in Dagoretti as opposed to Nairobi West’s suggest a marriage of ethnicities, where no one is unafraid of performing their own identity? What can this imply?

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Publication Details

Journal
Writing the Arts & Humanities in Africa
Published
2024-12-31
DOI
https://doi.org/10.52907/wahia.v1i1.512
Primary Topic
African history and culture analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Cosmopolitanisms : premise naming in Dagoretti and Nairobi West as a site for exercising identity

Fredrick Mbogo
Writing the Arts & Humanities in Africa
African history and culture analysis
article

Cosmopolitanisms : premise naming in Dagoretti and Nairobi West as a site for exercising identity

Fredrick Mbogo
article en

Abstract

What happens when a space is at once seemingly ancestral but with ties to a brash city like Nairobi? How does its residences define themselves? What can populate some of its signage for business premises? This paper is interested in comparing the naming of business premises in Dagoretti, in an area known as Kawangware Market, and what obtains in Nairobi West’s market area off Lang’ata road. The paper is interested in how names point to different kinds of cosmopolitanism, as well as the problematic idea of gentrification. In what ways has the kind of gentrification in Dagoretti as opposed to Nairobi West’s suggest a marriage of ethnicities, where no one is unafraid of performing their own identity? What can this imply?

Writing the Arts & Humanities in Africa
Technical University of Kenya (KE)
Openalex Percentile: Top 53%
African history and culture analysis
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