Jewish Memory, Jewish Legacies

Abstract Memory studies, when intersecting with Jewish studies, is often narrated as stories of loss. The gains of futurity usually involve the work of recovery. This essay surveys a range of texts that concern the reclaiming of Jewish identity in the contemporary world. Its primary focus is a reading of Edmund de Waal’s The Hare with Amber Eyes as a product of Jewish memory, as a memoir, and as an example of intergenerational legacy. This essay includes autobiographical elements relevant to the histories of Jewish modernity, intermarriage and conversion, Jewish “westernization,” and immigration. Theoretical perspectives are introduced and major artists considered. The relationship between history and memory, the Jewish and non-Jewish, is interrogated with special attention given to the place of individuals of “mixed” identities. Holocaust studies informs this essay, as do post-memory, life-writing, and twenty-first century technologies and discourses around ancestry.

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Publication Details

Journal
Religion and the Arts
Published
2025-03-24
DOI
https://doi.org/10.1163/15685292-02901009
Primary Topic
Jewish and Middle Eastern Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Jewish Memory, Jewish Legacies

Frederick S. Roden
Religion and the Arts
Jewish and Middle Eastern Studies
article

Jewish Memory, Jewish Legacies

Frederick S. Roden
article en

Abstract

Abstract Memory studies, when intersecting with Jewish studies, is often narrated as stories of loss. The gains of futurity usually involve the work of recovery. This essay surveys a range of texts that concern the reclaiming of Jewish identity in the contemporary world. Its primary focus is a reading of Edmund de Waal’s The Hare with Amber Eyes as a product of Jewish memory, as a memoir, and as an example of intergenerational legacy. This essay includes autobiographical elements relevant to the histories of Jewish modernity, intermarriage and conversion, Jewish “westernization,” and immigration. Theoretical perspectives are introduced and major artists considered. The relationship between history and memory, the Jewish and non-Jewish, is interrogated with special attention given to the place of individuals of “mixed” identities. Holocaust studies informs this essay, as do post-memory, life-writing, and twenty-first century technologies and discourses around ancestry.

Religion and the ArtsVol. 29(1-2)
University of Connecticut (US)
Reduced inequalities
Openalex Percentile: Top 93%
Jewish and Middle Eastern Studies
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Jewish Memory, Jewish Legacies — Frederick S. Roden · Religion and the Arts (2025) | TGRS Research Map | TGRS