‘The Tie That Binds’

Abstract Against the backdrop of the current Broadway revival of Wilder’s 1938 play, this essay calls into question scholarship arguing that Our Town , despite its artistic merits, is ultimately a failure since it does not satisfy theatergoers’ expectations of tragedy, especially ancient Greek tragedy. Both the Stage Manager’s and Mrs. Gibbs’s beliefs that the work of the deceased is to forget life on earth and prepare for that which is ahead are contradicted in Act Three. Those in the cemetery in Grover’s Corners not only reminisce about their life experiences, but also retain the ability to feel natural phenomena such as the weather and human emotions like wonder, joy, and even anger.

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Publication Details

Journal
Religion and the Arts
Published
2025-03-24
DOI
https://doi.org/10.1163/15685292-02901010
Primary Topic
Theater, Performance, and Music History
Type
article
Field-Weighted Citation Impact
0.00
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article

‘The Tie That Binds’

Vincent A. Lankewish
Religion and the Arts
Theater, Performance, and Music History
article

‘The Tie That Binds’

Vincent A. Lankewish
article en

Abstract

Abstract Against the backdrop of the current Broadway revival of Wilder’s 1938 play, this essay calls into question scholarship arguing that Our Town , despite its artistic merits, is ultimately a failure since it does not satisfy theatergoers’ expectations of tragedy, especially ancient Greek tragedy. Both the Stage Manager’s and Mrs. Gibbs’s beliefs that the work of the deceased is to forget life on earth and prepare for that which is ahead are contradicted in Act Three. Those in the cemetery in Grover’s Corners not only reminisce about their life experiences, but also retain the ability to feel natural phenomena such as the weather and human emotions like wonder, joy, and even anger.

Religion and the ArtsVol. 29(1-2)
School of Visual Arts (US)
Openalex Percentile: Top 95%
Theater, Performance, and Music History
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