Being Deathworthy: The UK Government and Media’s Industrialization of Black Death at Sea

Abstract Who is deemed deathworthy, and how is this status produced? What discourses, affects, and histories enable the industrialization of premature Black death while rendering it largely invisible? Rooted in a decolonial queer feminist epistemological framework, this article examines how discursive and affective strategies in U.K. print media and immigration policies during the European “refugee crisis” (2013–2016) justified routine death-making at sea. Conceptualizing Blackness as a relational political and epistemological tool, the article reveals how media and state actors—drawing on racialized mythologies of young single Black men and appeals to imperial nostalgia—constructed these men as objects of panic, disgust, resentment, and fear. Applying collocation analysis and visualization techniques, the article theorizes “affective-racialized networks”—discursive formations that circulate and accumulate affective meanings across space and time, shaping public perception and legitimizing policies of deterrence, externalization, and active abandonment. These networks sustained the routinized deaths of Black migrant men at sea, reinforcing Europe’s imperial border regimes. By foregrounding the mutual constitution of race, affect, and temporality, this study expands migration scholarship’s engagement with race, demonstrating how racial logics operate beyond geopolitical and temporal boundaries through transnational circuits of meaning, power, and governance. The article argues that centering Blackness and affect is essential to understanding how racialization functions and how Black deaths are rendered normative within global bordering practices.