The Influence of Fashion on Identity and Aesthetics: A Sociocultural Perspective Within the Framework of Sustainable Development Goal

Objectives: This study examines the dual role of fashion as both a means of self-expression and a social construct influenced by cultural, economic, and historical forces. It explores how fashion serves as a communicative system encoding social meanings, reinforcing group affiliations, and challenging dominant norms, while also addressing its environmental and ethical implications in the context of Sustainable Development Goal (SDG) 12: Responsible Consumption and Production. Method: Grounded in the theories of fashion semiotics, identity construction, and sociocultural analysis, this research draws from Roland Barthes, Joanne Entwistle, and Malcolm Barnard. Their perspectives highlight fashion as a system of signs, an embodied practice, and a form of visual communication, while also recognizing its role in capitalist consumerism and sustainability challenges. A multidisciplinary approach is employed, combining semiotic analysis, visual analysis of historical and contemporary fashion movements, and discursive analysis of fashion’s role in shaping identity, social structures, and consumption patterns. The findings illustrate fashion’s impact on both individual and collective identity formation, highlighting subcultures such as the Zoot Suit movement, punk, and avant-garde designers like Yohji Yamamoto and Rick Owens. The research also critically examines the tension between fashion as a liberating tool and as a driver of mass consumption, raising concerns about its environmental and social sustainability Contributions: This study contributes to interdisciplinary research in design, sociology, and cultural studies, emphasizing fashion’s evolving role in self-expression, sustainability, and societal norms. It underscores the need for ethical and responsible consumption in fashion, aligning with principles of responsible consumption and production as outlined in SDG 12. By integrating theoretical and empirical insights, this study provides a nuanced perspective on fashion’s role in shaping identity, aesthetics, and resistance while addressing its impact on responsible consumption and production in the 21st century.

Authors

Publication Details

Journal
Journal of Lifestyle and SDGs Review
Published
2025-03-25
DOI
https://doi.org/10.47172/2965-730x.sdgsreview.v5.n04.pe06116
Primary Topic
Fashion and Cultural Textiles
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Influence of Fashion on Identity and Aesthetics: A Sociocultural Perspective Within the Framework of Sustainable Development Goal

Ariana Gjoni
Journal of Lifestyle and SDGs Review
Fashion and Cultural Textiles
article

The Influence of Fashion on Identity and Aesthetics: A Sociocultural Perspective Within the Framework of Sustainable Development Goal

Ariana Gjoni
article en

Abstract

Objectives: This study examines the dual role of fashion as both a means of self-expression and a social construct influenced by cultural, economic, and historical forces. It explores how fashion serves as a communicative system encoding social meanings, reinforcing group affiliations, and challenging dominant norms, while also addressing its environmental and ethical implications in the context of Sustainable Development Goal (SDG) 12: Responsible Consumption and Production. Method: Grounded in the theories of fashion semiotics, identity construction, and sociocultural analysis, this research draws from Roland Barthes, Joanne Entwistle, and Malcolm Barnard. Their perspectives highlight fashion as a system of signs, an embodied practice, and a form of visual communication, while also recognizing its role in capitalist consumerism and sustainability challenges. A multidisciplinary approach is employed, combining semiotic analysis, visual analysis of historical and contemporary fashion movements, and discursive analysis of fashion’s role in shaping identity, social structures, and consumption patterns. The findings illustrate fashion’s impact on both individual and collective identity formation, highlighting subcultures such as the Zoot Suit movement, punk, and avant-garde designers like Yohji Yamamoto and Rick Owens. The research also critically examines the tension between fashion as a liberating tool and as a driver of mass consumption, raising concerns about its environmental and social sustainability Contributions: This study contributes to interdisciplinary research in design, sociology, and cultural studies, emphasizing fashion’s evolving role in self-expression, sustainability, and societal norms. It underscores the need for ethical and responsible consumption in fashion, aligning with principles of responsible consumption and production as outlined in SDG 12. By integrating theoretical and empirical insights, this study provides a nuanced perspective on fashion’s role in shaping identity, aesthetics, and resistance while addressing its impact on responsible consumption and production in the 21st century.

Journal of Lifestyle and SDGs ReviewVol. 5(4)
Openalex Percentile: Top 94%
Fashion and Cultural Textiles
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.