Freedom Monument, Malta

Freedom Monument marks Jum il-Ħelsien, the last day when Malta served as a military base for a foreign nation. It was, for Malta's then-Prime Minister Dom Mintoff, a profoundly significant and moving event. As stated by the sculptor Anton Agius, the realised design was Mintoff's creation rather than his. Its location is L-Għolja tal-Ħelsien, which freely translated means Freedom Hill, a man-made hillock located along the Birgu waterfront, just in front of the Parish Church. This church has strong associations with the main previous occupying power, the Military Hospitaller Order of St John. This article 1. addresses the author's proposal that Golgotha is a suitable metaphor through which to read Freedom Hill, and 2. asks whether an atypical concept sketch among the many submitted by Agius could possibly be Mintoff's own design. With respect to the former, it is argued that Freedom Monument is Mintoff's iconic statement about the history of Malta in visual form and, given that his perception that Malta's road to total freedom from foreign rule was strenuous, Golgotha is a fitting metaphor. With respect to the latter question, although there is a change in medium and style, this concept design sketch does recall an earlier one. It is a fine monumental interpretation of the event quite remote from Mintoff's idea of four figures on an artificial mound. Stylistically, the sketch is a mature artistic expression; it is unlikely to have been drawn by Mintoff and more likely to have been created by Agius.

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Publication Details

Journal
Periodica Polytechnica Architecture
Published
2025-03-25
DOI
https://doi.org/10.3311/ppar.39864
Primary Topic
Island Studies and Pacific Affairs
Type
article
Field-Weighted Citation Impact
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article

Freedom Monument, Malta

Lino Bianco
Periodica Polytechnica Architecture
Island Studies and Pacific Affairs
article

Freedom Monument, Malta

Lino Bianco
article en

Abstract

Freedom Monument marks Jum il-Ħelsien, the last day when Malta served as a military base for a foreign nation. It was, for Malta's then-Prime Minister Dom Mintoff, a profoundly significant and moving event. As stated by the sculptor Anton Agius, the realised design was Mintoff's creation rather than his. Its location is L-Għolja tal-Ħelsien, which freely translated means Freedom Hill, a man-made hillock located along the Birgu waterfront, just in front of the Parish Church. This church has strong associations with the main previous occupying power, the Military Hospitaller Order of St John. This article 1. addresses the author's proposal that Golgotha is a suitable metaphor through which to read Freedom Hill, and 2. asks whether an atypical concept sketch among the many submitted by Agius could possibly be Mintoff's own design. With respect to the former, it is argued that Freedom Monument is Mintoff's iconic statement about the history of Malta in visual form and, given that his perception that Malta's road to total freedom from foreign rule was strenuous, Golgotha is a fitting metaphor. With respect to the latter question, although there is a change in medium and style, this concept design sketch does recall an earlier one. It is a fine monumental interpretation of the event quite remote from Mintoff's idea of four figures on an artificial mound. Stylistically, the sketch is a mature artistic expression; it is unlikely to have been drawn by Mintoff and more likely to have been created by Agius.

Periodica Polytechnica ArchitectureVol. 56(1)
University of Architecture, Civil Engineering and Geodesy (BG)
Openalex Percentile: Top 91%
Island Studies and Pacific Affairs
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