Staging Stalingrad: Building a Wartime Alliance, Pro-Soviet Propaganda, and the Trope of the Two Americas, 1942–1947

The Lenin Memorial mass meeting, organized by the newly formed National Council of American–Soviet Friendship (NCASF) and featuring scenes from the Soviet play adapted and directed for the Theatre Guild, followed quickly on the heels of a similar mass meeting and rally, “Salute to Our Russian Ally,” staged at Madison Square Garden on 1 November 1942 and attended by twenty thousand supporters. Both events presented speeches by American political, military, and arts leaders and Soviet dignitaries, along with theatrical scenes and musical performances. The rallies concluded when the crowd had been effectively emotionally aroused and asked to stand for the playing of the national anthems of the United States and the USSR. The crowd was asked to approve statements on US–Soviet cooperation and peace to send to President Roosevelt and General Stalin, and it apparently roared back to the stage its approval.

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Publication Details

Journal
Theatre Survey
Published
2025-03-24
DOI
https://doi.org/10.1017/s0040557425000055
Primary Topic
Communism, Protests, Social Movements
Type
article
Field-Weighted Citation Impact
0.00
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article

Staging Stalingrad: Building a Wartime Alliance, Pro-Soviet Propaganda, and the Trope of the Two Americas, 1942–1947

Valleri Robinson
Theatre Survey
Communism, Protests, Social Movements
article

Staging Stalingrad: Building a Wartime Alliance, Pro-Soviet Propaganda, and the Trope of the Two Americas, 1942–1947

Valleri Robinson
article en

Abstract

The Lenin Memorial mass meeting, organized by the newly formed National Council of American–Soviet Friendship (NCASF) and featuring scenes from the Soviet play adapted and directed for the Theatre Guild, followed quickly on the heels of a similar mass meeting and rally, “Salute to Our Russian Ally,” staged at Madison Square Garden on 1 November 1942 and attended by twenty thousand supporters. Both events presented speeches by American political, military, and arts leaders and Soviet dignitaries, along with theatrical scenes and musical performances. The rallies concluded when the crowd had been effectively emotionally aroused and asked to stand for the playing of the national anthems of the United States and the USSR. The crowd was asked to approve statements on US–Soviet cooperation and peace to send to President Roosevelt and General Stalin, and it apparently roared back to the stage its approval.

Theatre SurveyVol. 66(2)
University of Illinois Urbana-Champaign (US)
Openalex Percentile: Top 93%
Communism, Protests, Social Movements
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