Unveiling Catholic nun identity in Indonesian cinema: Analyzing Ave Maryam (2018)

This study explores the discourse surrounding Catholic nuns in the film Ave Maryam (2018) through the lens of Sara Mills’ (1995) feminist stylistics. While global cinema frequently portrays nuns, representations of Catholic nuns in Asian films are exceptionally rare. Ave Maryam stands out as a significant exception within Indonesian cinema, which predominantly showcases Islamic religious themes. Directed by Ertanto Robby Soediskam, the film narrates a poignant tale of forbidden love between a Catholic nun and a priest. This study examines how femininity and the identity of Catholic nuns are constructed and conveyed in the Indonesian context. It also highlights the intersection of Indonesian culture and religious diversity in these depictions. The analysis offers insights into the representation of nun femininity in Indonesian film, shedding light on broader cultural and religious dynamics.