“All the Gallantry and Beauty that a Pedestal Intended for such a Statue should have” – About the Silver Statue of the Immaculate Conception made in Rome for the Patriarchal Basilica: Ludovice's Intervention

This article aims to address a specific aspect regarding the celebrated gilded silver statue of the Immaculate Conception, commissioned in Rome by King John V for the Patriarchal Basilica of Lisbon. The statue was crafted by the silversmiths Giuseppe Gagliardi (1697-1749) and Leandro Gagliardi (1729-1804), based on the project and model of the sculptor Giovanni Battista Maini (1690-1752). While the intervention of João Frederico Ludovice (1673-1752) in the iconographic models and technical aspects of the statue's creation is already known, the manuscript that is published and discussed in this text reveals a further involvement by the “famous Frederico” (“célebre Frederico”) in the process concerning the silver statue and its placement inside the Johannine Patriarchal.

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Journal
ARTis ON
Published
2025-03-16
DOI
https://doi.org/10.37935/iha.oan2024.015
Primary Topic
Historical and Religious Studies of Rome
Type
article
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0.00
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article

“All the Gallantry and Beauty that a Pedestal Intended for such a Statue should have” – About the Silver Statue of the Immaculate Conception made in Rome for the Patriarchal Basilica: Ludovice's Intervention

Teresa Leonor M. do Vale
ARTis ON
Historical and Religious Studies of Rome
article

“All the Gallantry and Beauty that a Pedestal Intended for such a Statue should have” – About the Silver Statue of the Immaculate Conception made in Rome for the Patriarchal Basilica: Ludovice's Intervention

Teresa Leonor M. do Vale
article en

Abstract

This article aims to address a specific aspect regarding the celebrated gilded silver statue of the Immaculate Conception, commissioned in Rome by King John V for the Patriarchal Basilica of Lisbon. The statue was crafted by the silversmiths Giuseppe Gagliardi (1697-1749) and Leandro Gagliardi (1729-1804), based on the project and model of the sculptor Giovanni Battista Maini (1690-1752). While the intervention of João Frederico Ludovice (1673-1752) in the iconographic models and technical aspects of the statue's creation is already known, the manuscript that is published and discussed in this text reveals a further involvement by the “famous Frederico” (“célebre Frederico”) in the process concerning the silver statue and its placement inside the Johannine Patriarchal.

ARTis ON(15)
Institute of Art History (HU)
Openalex Percentile: Top 94%
Historical and Religious Studies of Rome
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