Reckoning Through Photovoice

In this collaborative essay we explore the individual and collective identities of seven Black* scholars through narrative reflection. Informed by endarkened feminist epistemology (EFE), and implemented through collaborative autoethnographic methods, we considered how our methodological engagement with photovoice shaped our identities as Black* scholars in relation to research. We found that our research experiences closely mirrored several tenets of EFE. More specifically, we identified elements of freedom, home, and community as recurring themes across our narratives. Further, we associated our identified themes with our underlying perceptions of (endarkened) transformative scholarship. Through this reflective journey, we highlight the profound connection between our methodological practices and the evolution of our scholarly identities, advocating for the continued integration of EFE in academic research to foster a deeper understanding of Black* scholars’ experiences.

Authors

Publication Details

Journal
Departures in Critical Qualitative Research
Published
2025-01-01
DOI
https://doi.org/10.1525/dcqr.2025.14.1.104
Primary Topic
Participatory Visual Research Methods
Type
article
Field-Weighted Citation Impact
0.00
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article

Reckoning Through Photovoice

Keneisha Harrington, Cherese F. Fine, Travis C. Smith, Dion T. Harry et al.
Departures in Critical Qualitative Research
Participatory Visual Research Methods
article

Reckoning Through Photovoice

Keneisha Harrington, Cherese F. Fine, Travis C. Smith, Dion T. Harry, Robin Phelps-Ward, Lashia Bowers, Maurice Williams, Laetitia Adelson
article en

Abstract

In this collaborative essay we explore the individual and collective identities of seven Black* scholars through narrative reflection. Informed by endarkened feminist epistemology (EFE), and implemented through collaborative autoethnographic methods, we considered how our methodological engagement with photovoice shaped our identities as Black* scholars in relation to research. We found that our research experiences closely mirrored several tenets of EFE. More specifically, we identified elements of freedom, home, and community as recurring themes across our narratives. Further, we associated our identified themes with our underlying perceptions of (endarkened) transformative scholarship. Through this reflective journey, we highlight the profound connection between our methodological practices and the evolution of our scholarly identities, advocating for the continued integration of EFE in academic research to foster a deeper understanding of Black* scholars’ experiences.

Departures in Critical Qualitative ResearchVol. 14(1)
Openalex Percentile: Top 93%
Participatory Visual Research Methods
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