Lu Xiujing’s Writing in Literary Style: A New Approach to the Contribution of Daoist Scriptures to Literary Studies

The interdisciplinary study of Daoism and literature can be broadly categorized into three main approaches: analyzing literary works as sources of Daoist material, examining Daoist scriptures as literary texts, and exploring the influence of Daoist beliefs on writers. This paper proposes a new perspective that complements these existing frameworks: by examining Daoist scriptures, we can better assess whether certain literary expressions or rhetorical devices were innovative or simply widespread conventions among writers of a particular period. Using the works of Lu Xiujing 陸修靜 (406–477 CE) as a case study, this paper builds on Haun Saussy’s argument that the use of “fragrance” as a rhetorical device to modify virtue—often surprising to modern scholars—was, in fact, a familiar trope for ancient Chinese writers. However, the paper critiques Saussy’s reliance on the works of the famous poet Qu Yuan 屈原 (c. 342–278 BCE) as evidence. Unlike Qu Yuan, who was primarily a literary figure, Lu Xiujing, as a Daoist scholar, frequently employed metaphors related to smell and taste to express abstract moral or doctrinal concepts. For Lu and his contemporaries, such expressions were not regarded as remarkable literary techniques but rather as conventional modes of discourse. This suggests that, at least in early medieval China, such rhetorical usage among writers was not seen as novel but as commonplace.