Exploring Multiculturalism and Diversity in Modern Films: A Case Study Approach

In an increasingly globalized world, cinema has become a powerful medium for representing multiculturalism and diversity. Filmmakers from diverse cultural backgrounds use their craft to tell stories that transcend geographic boundaries and resonate with global audiences. The narratives often reflect the complexity of cultural hybridity, the interplay of identity and language, and the challenges and rewards of cross-cultural collaboration. This paper aims to explore how modern films represent these themes, focusing specifically on Bong Joon-ho’s Parasite and Chloe Zhao’s Nomadland. Through their unique cultural perspectives, both directors offer audiences a lens into societal dynamics while fostering a greater understanding of humanity’s shared experiences. This exploration begins with a historical context that outlines the evolution of multicultural representation in cinema.

Authors

Publication Details

Journal
International Journal of Arts Humanities & Social Science
Published
2025-03-24
DOI
https://doi.org/10.56734/ijahss.v6n3a3
Primary Topic
Italian Fascism and Post-war Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Exploring Multiculturalism and Diversity in Modern Films: A Case Study Approach

Ling Jin
International Journal of Arts Humanities & Social Science
Italian Fascism and Post-war Society
article

Exploring Multiculturalism and Diversity in Modern Films: A Case Study Approach

Ling Jin
article en

Abstract

In an increasingly globalized world, cinema has become a powerful medium for representing multiculturalism and diversity. Filmmakers from diverse cultural backgrounds use their craft to tell stories that transcend geographic boundaries and resonate with global audiences. The narratives often reflect the complexity of cultural hybridity, the interplay of identity and language, and the challenges and rewards of cross-cultural collaboration. This paper aims to explore how modern films represent these themes, focusing specifically on Bong Joon-ho’s Parasite and Chloe Zhao’s Nomadland. Through their unique cultural perspectives, both directors offer audiences a lens into societal dynamics while fostering a greater understanding of humanity’s shared experiences. This exploration begins with a historical context that outlines the evolution of multicultural representation in cinema.

International Journal of Arts Humanities & Social ScienceVol. 06(03)
Openalex Percentile: Top 93%
Italian Fascism and Post-war Society
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