Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–1934

Abstract This article draws upon archival documents from Mexico's Nationalist Campaign to argue that the rise of radio, advertising, and consumer culture significantly shaped Mexican musical nationalism in the early 1930s. The Nationalist Campaign, led by Rafael Melgar, sought to promote the consumption of national products as a patriotic act to secure the nation's future amid the growing economic dominance of the United States during the interwar period. The campaign utilized radio broadcasts of speeches, slogans, and national music concerts to publicize a unified brand of national identity, aligning with the needs of modernizing the state economy and centralizing political authority through the newly formed PNR (Partido Nacional Revolucionario). This research seeks to explore the role of media, popular music, and consumer culture as an alternative track to Mexican musical nationalism, which has primarily been studied through art music.

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Publication Details

Journal
twentieth-century music
Published
2025-03-24
DOI
https://doi.org/10.1017/s1478572224000197
Citations
1
Primary Topic
Media, Journalism, and Communication History
Type
article
Field-Weighted Citation Impact
38.00
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article

Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–1934

Ana Sánchez-Rojo
1 citations
twentieth-century music
Media, Journalism, and Communication History
38.00
article

Radio, Consumer Culture, and Nationalism in Mexico's Campaña Nacionalista, 1931–1934

Ana Sánchez-Rojo
article en
1 citations

Abstract

Abstract This article draws upon archival documents from Mexico's Nationalist Campaign to argue that the rise of radio, advertising, and consumer culture significantly shaped Mexican musical nationalism in the early 1930s. The Nationalist Campaign, led by Rafael Melgar, sought to promote the consumption of national products as a patriotic act to secure the nation's future amid the growing economic dominance of the United States during the interwar period. The campaign utilized radio broadcasts of speeches, slogans, and national music concerts to publicize a unified brand of national identity, aligning with the needs of modernizing the state economy and centralizing political authority through the newly formed PNR (Partido Nacional Revolucionario). This research seeks to explore the role of media, popular music, and consumer culture as an alternative track to Mexican musical nationalism, which has primarily been studied through art music.

twentieth-century musicVol. 22(3)
Tulane University (US)
Openalex Percentile: Top 1%
Media, Journalism, and Communication History
38.00
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