The changing purpose of drama: From cultural expression to economic commodity?

Drama has long been a vehicle for artistic expression, cultural reflection, and social critique. From ancient Greek tragedies to 19th-century realist plays, it has engaged audiences in political discourse, moral dilemmas, and societal debates. However, in the 21st century, the rise of commercialization, corporate sponsorship, and digital media has reshaped its purpose. This study examines whether contemporary drama remains a tool for cultural engagement or has become primarily an economic enterprise. Using a comparative historical approach, this research explores drama’s transformation across different eras. Case studies from ancient Greek theater, Renaissance drama, 19th-century realism, and modern Broadway and digital productions highlight shifts in artistic integrity, audience engagement, and economic priorities. Particular attention is given to corporate sponsorship, high-budget productions, and digital streaming, which have redefined accessibility and creative choices. Findings suggest that while drama retains its artistic and intellectual potential, financial imperatives increasingly dictate production and reception. Commercial success often takes precedence over artistic risk-taking, while digital platforms expand audience reach but reduce the communal experience of live theater. However, socially conscious productions continue to challenge dominant narratives, preserving drama’s role in cultural discourse. This study concludes that while economic forces have altered drama’s landscape, its cultural and intellectual significance endures. The future of drama depends on whether it can balance financial sustainability with its fundamental purpose as a space for artistic exploration and social commentary.

Authors

Publication Details

Journal
International Journal of Science and Research Archive
Published
2025-03-23
DOI
https://doi.org/10.30574/ijsra.2025.14.3.0781
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The changing purpose of drama: From cultural expression to economic commodity?

Manal I. Fattah
International Journal of Science and Research Archive
Theatre and Performance Studies
article

The changing purpose of drama: From cultural expression to economic commodity?

Manal I. Fattah
article en

Abstract

Drama has long been a vehicle for artistic expression, cultural reflection, and social critique. From ancient Greek tragedies to 19th-century realist plays, it has engaged audiences in political discourse, moral dilemmas, and societal debates. However, in the 21st century, the rise of commercialization, corporate sponsorship, and digital media has reshaped its purpose. This study examines whether contemporary drama remains a tool for cultural engagement or has become primarily an economic enterprise. Using a comparative historical approach, this research explores drama’s transformation across different eras. Case studies from ancient Greek theater, Renaissance drama, 19th-century realism, and modern Broadway and digital productions highlight shifts in artistic integrity, audience engagement, and economic priorities. Particular attention is given to corporate sponsorship, high-budget productions, and digital streaming, which have redefined accessibility and creative choices. Findings suggest that while drama retains its artistic and intellectual potential, financial imperatives increasingly dictate production and reception. Commercial success often takes precedence over artistic risk-taking, while digital platforms expand audience reach but reduce the communal experience of live theater. However, socially conscious productions continue to challenge dominant narratives, preserving drama’s role in cultural discourse. This study concludes that while economic forces have altered drama’s landscape, its cultural and intellectual significance endures. The future of drama depends on whether it can balance financial sustainability with its fundamental purpose as a space for artistic exploration and social commentary.

International Journal of Science and Research ArchiveVol. 14(3)
Openalex Percentile: Top 95%
Theatre and Performance Studies
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