How do music producers learn? A case study

Investigation of the learning practices of popular musicians can glean benefits for the field of music education by helping stakeholders connect music practice with the music classroom. The purpose of this case study is to examine the learning processes of professional-level music producers in the United States. Three music producers identified as such by professionals in the field completed interviews regarding how they began and continued acquiring music production skills and knowledge. Resulting themes included learning through experimentation and matching, seeking out information, learning from others and learning in context. Based on the results of this study, internships and opportunities for collaboration during formal music production training might better prepare music production students for their future careers. Institutional learning can be compatible with ways music producers learn, and the expansion of music production education in college and K-12 settings could open the field of music production to more individuals.

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Publication Details

Journal
Journal of Popular Music Education
Published
2025-03-22
DOI
https://doi.org/10.1386/jpme_00156_1
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

How do music producers learn? A case study

Julia R. Weinstein
Journal of Popular Music Education
Diverse Music Education Insights
article

How do music producers learn? A case study

Julia R. Weinstein
article en

Abstract

Investigation of the learning practices of popular musicians can glean benefits for the field of music education by helping stakeholders connect music practice with the music classroom. The purpose of this case study is to examine the learning processes of professional-level music producers in the United States. Three music producers identified as such by professionals in the field completed interviews regarding how they began and continued acquiring music production skills and knowledge. Resulting themes included learning through experimentation and matching, seeking out information, learning from others and learning in context. Based on the results of this study, internships and opportunities for collaboration during formal music production training might better prepare music production students for their future careers. Institutional learning can be compatible with ways music producers learn, and the expansion of music production education in college and K-12 settings could open the field of music production to more individuals.

Journal of Popular Music EducationVol. 9(2)
College of Saint Mary (US), Saint Mary's College (US)
Openalex Percentile: Top 95%
Diverse Music Education Insights
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