Artists as Cultural Intermediaries: How Professional Artists Present Their Work on Homepages and Instagram Accounts

This article examines how professional visual artists without gallery representation intermediate their art online. By conceptualizing artists as cultural intermediaries, I studied how their actions affect perceptions of their works in the field of contemporary art. To this end, I conducted media go-along interviews with 18 Finland-based artists and qualitatively analyzed their homepages and Instagram accounts. My findings show that artists shape quality perceptions through, for example, third-party quality signals that reflect their reputations. An important target audience consists of gatekeepers who are vital to artists’ careers. The results reveal constraints for creators using the Web to bypass intermediation chains in creative fields.

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Publication Details

Journal
The Journal of Arts Management Law and Society
Published
2025-03-04
DOI
https://doi.org/10.1080/10632921.2025.2467105
Primary Topic
Sharing Economy and Platforms
Type
article
Field-Weighted Citation Impact
0.00

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article

Artists as Cultural Intermediaries: How Professional Artists Present Their Work on Homepages and Instagram Accounts

Henri Laukkanen
The Journal of Arts Management Law and Society
Sharing Economy and Platforms
article

Artists as Cultural Intermediaries: How Professional Artists Present Their Work on Homepages and Instagram Accounts

Henri Laukkanen
article en

Abstract

This article examines how professional visual artists without gallery representation intermediate their art online. By conceptualizing artists as cultural intermediaries, I studied how their actions affect perceptions of their works in the field of contemporary art. To this end, I conducted media go-along interviews with 18 Finland-based artists and qualitatively analyzed their homepages and Instagram accounts. My findings show that artists shape quality perceptions through, for example, third-party quality signals that reflect their reputations. An important target audience consists of gatekeepers who are vital to artists’ careers. The results reveal constraints for creators using the Web to bypass intermediation chains in creative fields.

The Journal of Arts Management Law and SocietyVol. 55(2)
Tampere University (FI)
Koneen Säätiö
Openalex Percentile: Top 94%
Sharing Economy and Platforms
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