Jaki świat po katastrofie? Niewspółczesny nastolatek oraz projekt światotwórstwa Federica Campagni

The author begins with the views of postmodernists, who intuited the approaching end and linked it to the disintegration of modern metaphysical structures. He then explains how this narrative of the end is intercepted and continued by posthumanist thought. The author finds a remedy for the belated end of the world in Timothy Morton and Federico Campagna. Morton, who claims that the end of the world has already happened, shows that we can finally free our thinking from the unproductive fantasy of the apocalypse. Campagna, on the other hand, points out that a post-apocalyptic world requires us to make an effort to create it from scratch. In his world-making project, a key role is played by a generation of unmodern teenagers, those who are reinventing the world after the catastrophe. Keywords: world-making, environmental catastrophe, unmodern teenager, Anthropocene, end of the world, speculative realism

Authors

Publication Details

Journal
Czas Kultury
Published
2025-01-01
DOI
https://doi.org/10.61269/r25n1aac/pjvg9638
Primary Topic
Urban Development and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

Jaki świat po katastrofie? Niewspółczesny nastolatek oraz projekt światotwórstwa Federica Campagni

Andrzej Marzec
Czas Kultury
Urban Development and Cultural Heritage
article

Jaki świat po katastrofie? Niewspółczesny nastolatek oraz projekt światotwórstwa Federica Campagni

Andrzej Marzec
article en

Abstract

The author begins with the views of postmodernists, who intuited the approaching end and linked it to the disintegration of modern metaphysical structures. He then explains how this narrative of the end is intercepted and continued by posthumanist thought. The author finds a remedy for the belated end of the world in Timothy Morton and Federico Campagna. Morton, who claims that the end of the world has already happened, shows that we can finally free our thinking from the unproductive fantasy of the apocalypse. Campagna, on the other hand, points out that a post-apocalyptic world requires us to make an effort to create it from scratch. In his world-making project, a key role is played by a generation of unmodern teenagers, those who are reinventing the world after the catastrophe. Keywords: world-making, environmental catastrophe, unmodern teenager, Anthropocene, end of the world, speculative realism

Czas KulturyVol. XLI(1)
Openalex Percentile: Top 92%
Urban Development and Cultural Heritage
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