“Live, Laugh, Luminol”

FQ columnist Laurie Ouellette reports on her visit to CrimeCon, a convention that connects predominantly white female fans with content producers, entrepreneurs, victim advocates, and law enforcers. Unpacking the unsettling amalgamation of everyday violence and trauma, crime-solving, female-centric storytelling, and feminized fan culture on display at the event, she theorizes true crime fandom as an intimate public that the burgeoning true crime industry and its carceral partners claim as their own.

Authors

Publication Details

Journal
Film Quarterly
Published
2025-01-01
DOI
https://doi.org/10.1525/fq.2025.78.3.65
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

“Live, Laugh, Luminol”

Laurie Ouellette
Film Quarterly
Gender, Feminism, and Media
article

“Live, Laugh, Luminol”

Laurie Ouellette
article en

Abstract

FQ columnist Laurie Ouellette reports on her visit to CrimeCon, a convention that connects predominantly white female fans with content producers, entrepreneurs, victim advocates, and law enforcers. Unpacking the unsettling amalgamation of everyday violence and trauma, crime-solving, female-centric storytelling, and feminized fan culture on display at the event, she theorizes true crime fandom as an intimate public that the burgeoning true crime industry and its carceral partners claim as their own.

Film QuarterlyVol. 78(3)
Openalex Percentile: Top 93%
Gender, Feminism, and Media
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“Live, Laugh, Luminol” — Laurie Ouellette · Film Quarterly (2025) | TGRS Research Map | TGRS