Mati Diop in NYC

French-Senegalese filmmaker Mati Diop returned to New York City in 2024 with two new nonfiction projects. Feature-length documentary Dahomey, which follows the restitution of 26 artifacts from France back to Benin, as well as the reactions of the Beninese people, screened at the 62nd New York Film Festival. In addition, Diop’s experimental dance short titled Naked Blue, created in collaboration with Manon Lutanie, premiered at the Museum of Modern Art’s “Modern Mondays” series. While the two films may at first seem different in both form and content, Diop’s new films both center defiant perspectives from young people taking agency in the face of colonialism. Discussions after both screenings allowed audiences to gain insight into Diop’s creative process.

Authors

Publication Details

Journal
Film Quarterly
Published
2025-01-01
DOI
https://doi.org/10.1525/fq.2025.78.3.85
Citations
1
Primary Topic
Migration, Ethnicity, and Economy
Type
article
Field-Weighted Citation Impact
4.20
Controls
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article

Mati Diop in NYC

Katarina Docalovich
1 citations
Film Quarterly
Migration, Ethnicity, and Economy
4.20
article

Mati Diop in NYC

Katarina Docalovich
article en
1 citations

Abstract

French-Senegalese filmmaker Mati Diop returned to New York City in 2024 with two new nonfiction projects. Feature-length documentary Dahomey, which follows the restitution of 26 artifacts from France back to Benin, as well as the reactions of the Beninese people, screened at the 62nd New York Film Festival. In addition, Diop’s experimental dance short titled Naked Blue, created in collaboration with Manon Lutanie, premiered at the Museum of Modern Art’s “Modern Mondays” series. While the two films may at first seem different in both form and content, Diop’s new films both center defiant perspectives from young people taking agency in the face of colonialism. Discussions after both screenings allowed audiences to gain insight into Diop’s creative process.

Film QuarterlyVol. 78(3)
Openalex Percentile: Top 9%
Migration, Ethnicity, and Economy
4.20
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Mati Diop in NYC — Katarina Docalovich · Film Quarterly (2025) | TGRS Research Map | TGRS