Going Overboard: Hélène Cixous’s “Aller à la Mer,” A Feminist Theoretical Performance
ABSTRACT Hélène Cixous’s “Aller à la Mer” created waves in theatrical criticism when it first appeared in 1984. The essay not only encourages rereading of the Cixous piece but also argues that the piece should be read as a performance piece, not an academic argument. Doing so reveals and illustrates Cixous’s challenge to women, feminism, and theater.
Authors
- Ann C. Hall (ORCID: https://orcid.org/0000-0002-0686-7065)
Institutions
- University of Louisville Hospital (US)
Publication Details
- Journal
- The Harold Pinter Review
- Published
- 2024-10-01
- DOI
- https://doi.org/10.5325/haropintrevi.8.1.0086
- Primary Topic
- French Historical and Cultural Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00