Feminist Critical Discourse analysis and Thematic analysis on the Movie Osama Afghan (2003)

This study aims at examining the Feminist Critical Discourse Analysis (FCDA) and Thematic Analysis (TA) in the movie Osama Afghan. On the part of FCDA, this study has investigated how the constructed rigid culture and religion have maintained patriarchy in the movie; while in the case of Thematic Analysis, it has focused the themes and patterns that have come out because of the relationship between language, power and gender in the movie Osama Afghan. By keeping in view purposive sampling of method, the mix-theoretical model of FCDA and TA is applied in combination with the Three-Dimensional model contributed by Fairclough (1995). This study has aimed to highlight the overall cultural attitude of Afghan Taliban toward their women and how they oppress the women ideologically. At the end, the movie Osama Afghan has reflected on how women put a stern hindrance and resistance to compete with the cultural and religious norms that illegitimately prevailed by the patriarchy in the Osama Afghan (2003) movie.

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Publication Details

Journal
Journal of Arts and Linguistics Studies
Published
2025-03-16
DOI
https://doi.org/10.71281/jals.v3i1.264
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
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article

Feminist Critical Discourse analysis and Thematic analysis on the Movie Osama Afghan (2003)

Sadiq Khan, Zumer Rubab, Zohaib ur Rehman
Journal of Arts and Linguistics Studies
South Asian Cinema and Culture
article

Feminist Critical Discourse analysis and Thematic analysis on the Movie Osama Afghan (2003)

Sadiq Khan, Zumer Rubab, Zohaib ur Rehman
article en

Abstract

This study aims at examining the Feminist Critical Discourse Analysis (FCDA) and Thematic Analysis (TA) in the movie Osama Afghan. On the part of FCDA, this study has investigated how the constructed rigid culture and religion have maintained patriarchy in the movie; while in the case of Thematic Analysis, it has focused the themes and patterns that have come out because of the relationship between language, power and gender in the movie Osama Afghan. By keeping in view purposive sampling of method, the mix-theoretical model of FCDA and TA is applied in combination with the Three-Dimensional model contributed by Fairclough (1995). This study has aimed to highlight the overall cultural attitude of Afghan Taliban toward their women and how they oppress the women ideologically. At the end, the movie Osama Afghan has reflected on how women put a stern hindrance and resistance to compete with the cultural and religious norms that illegitimately prevailed by the patriarchy in the Osama Afghan (2003) movie.

Journal of Arts and Linguistics StudiesVol. 3(1)
Foundation University Islamabad (PK)
Openalex Percentile: Top 95%
South Asian Cinema and Culture
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Feminist Critical Discourse analysis and Thematic analysis on the Movie Osama Afghan (2003) — Sadiq Khan, Zumer Rubab, et al. · Journal of Arts and Linguistics Studies (2025) | TGRS Research Map | TGRS