A Walk into Space-Timeless Philosophy

Abstract This article argues that Plato instrumentalizes the setting of the Phaedrus — conceptualized as a uniquely designed ‘chronotope’—to delineate his understanding of philosophy, and to intensify the dialogue’s intra- and extra-fictional pedagogical impact. The analysis especially of the prologue (227a1-230e5) shall show that (1) the walk out of town ( ἔξω τείχους ) symbolizes Phaedrus’ transgression from Sophistic rhetoric to Platonic philosophy; (2) the interlocutors’ interaction in and with their spatiotemporal environment throughout the prologue negotiates their reciprocal “teacher-student” relationship; (3) more specifically, Socrates’ stylization of the plane setting both establishes a proper epistemic method, and subjugates the investigation of external phenomena ( τὰ ἀλλότρια ) to the philosophical search for self-knowledge; (4) finally, the contextual inappropriateness of this stylization raises the question of where to situate the philosopher in their sociopolitical and cosmic context: they seem in many ways ἄτοπος , neither confined to any particular spatiotemporal environment nor interlocutor, simultaneously most out of place and universally at home.

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Publication Details

Journal
Mnemosyne
Published
2025-02-07
DOI
https://doi.org/10.1163/1568525x-bja10278
Primary Topic
Classical Philosophy and Thought
Type
article
Field-Weighted Citation Impact
0.00
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article

A Walk into Space-Timeless Philosophy

Benny Kozian
Mnemosyne
Classical Philosophy and Thought
article

A Walk into Space-Timeless Philosophy

Benny Kozian
article en

Abstract

Abstract This article argues that Plato instrumentalizes the setting of the Phaedrus — conceptualized as a uniquely designed ‘chronotope’—to delineate his understanding of philosophy, and to intensify the dialogue’s intra- and extra-fictional pedagogical impact. The analysis especially of the prologue (227a1-230e5) shall show that (1) the walk out of town ( ἔξω τείχους ) symbolizes Phaedrus’ transgression from Sophistic rhetoric to Platonic philosophy; (2) the interlocutors’ interaction in and with their spatiotemporal environment throughout the prologue negotiates their reciprocal “teacher-student” relationship; (3) more specifically, Socrates’ stylization of the plane setting both establishes a proper epistemic method, and subjugates the investigation of external phenomena ( τὰ ἀλλότρια ) to the philosophical search for self-knowledge; (4) finally, the contextual inappropriateness of this stylization raises the question of where to situate the philosopher in their sociopolitical and cosmic context: they seem in many ways ἄτοπος , neither confined to any particular spatiotemporal environment nor interlocutor, simultaneously most out of place and universally at home.

MnemosyneVol. 78(4)
University of Tübingen (DE)
Openalex Percentile: Top 94%
Classical Philosophy and Thought
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