The lyricizing resources of the voice in the homodiegetic narrative

The article includes several dissociations of the narrative voice as a constitutive factor of the lyric regime in the homodiegetic narrative. Following the contribution of scholars M. Bal, J.-M. Barberis, G. Konopczynski when delimiting the constituents of the voice on the linguistic level, I extended the valorization of this notion also on the narrative level, analyzing some of its essential components: pauses, tempo, timbre. I established that the relevance of study of the voice within the homodiegetic lyric regime resides in the fact that it is instituted by a personal self, endowed with a voice that “speaks”, in a certain way, the narrated contents, therefore I elucidated the properties of the narrative voice, proving that in the prose of M. Sadoveanu, L Blaga, Z. Stancu, M. Drumeș, they contribute to maintaining the lyrical narrative regime. We also observed the connection between the narrative regime and the text, revealing the fact that the lyricization of the homodiegetic narrative regime, for example, is signaled, in the text plane, by different graphic signs (suspension points, pause line, etc.).