“Dancer in the Dark” (Lars von Trier, 2000) as a Case Study on the Transformation of the Musical Genre in Modern Cinema

Using “Dancer in the Dark” (dir. Lars von Trier, 2000) as an example, the article investigates the possibilities of transforming film musical. By analyzing the interaction of the artistic means in the movie, the author comes to the conclusion that the director has pushed its boundaries in response to modern challenges and his artistic goals which makes the genre not only serious, but also shocking.

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Publication Details

Journal
Journal of Film Arts and Film Studies
Published
2025-03-20
DOI
https://doi.org/10.69975/2074-0832-2025-63-1-82-93
Primary Topic
Musicology and Musical Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

“Dancer in the Dark” (Lars von Trier, 2000) as a Case Study on the Transformation of the Musical Genre in Modern Cinema

Yu. O. Vinar
Journal of Film Arts and Film Studies
Musicology and Musical Analysis
article

“Dancer in the Dark” (Lars von Trier, 2000) as a Case Study on the Transformation of the Musical Genre in Modern Cinema

Yu. O. Vinar
article en

Abstract

Using “Dancer in the Dark” (dir. Lars von Trier, 2000) as an example, the article investigates the possibilities of transforming film musical. By analyzing the interaction of the artistic means in the movie, the author comes to the conclusion that the director has pushed its boundaries in response to modern challenges and his artistic goals which makes the genre not only serious, but also shocking.

Journal of Film Arts and Film StudiesVol. 17(1(63))
Russian State University of Cinematography named after SA Gerasimov (RU)
Openalex Percentile: Top 95%
Musicology and Musical Analysis
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