Cortical and behavioral tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise

The cortical tracking of stimulus features is a crucial neural requisite of how we process continuous music. We here tested whether cortical tracking of the beat, typically related to rhythm processing, is modulated by pitch predictability and other top-down factors. Participants listened to tonal (high pitch predictability) and atonal (low pitch predictability) music while undergoing electroencephalography. We analyzed their cortical tracking of the acoustic envelope. Cortical envelope tracking was stronger while listening to atonal music, potentially reflecting listeners' violated pitch expectations and increased attention allocation. Envelope tracking was also stronger with more expertise and enjoyment. Furthermore, we showed cortical tracking of pitch surprisal (using IDyOM), which suggests that listeners' expectations match those computed by the IDyOM model, with higher surprisal for atonal music. Behaviorally, we measured participants' ability to finger-tap to the beat of tonal and atonal sequences in two experiments. Finger-tapping performance was better in the tonal condition, indicating a positive effect of pitch predictability on behavioral rhythm processing. Cortical envelope tracking predicted tapping performance for tonal music, as did pitch-surprisal tracking for atonal music, indicating that high and low predictability might impose different processing regimes. Taken together, our results show various ways that top-down factors impact musical rhythm processing.

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Publication Details

Journal
Annals of the New York Academy of Sciences
Published
2025-03-18
DOI
https://doi.org/10.1111/nyas.15315
Citations
8
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
11.45

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article

Cortical and behavioral tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise

Claire Pelofi, Anne Keitel, Sarah Allen, Iris Mencke et al.
8 citations
Annals of the New York Academy of Sciences
Neuroscience and Music Perception
11.45
article

Cortical and behavioral tracking of rhythm in music: Effects of pitch predictability, enjoyment, and expertise

Claire Pelofi, Anne Keitel, Sarah Allen, Iris Mencke, Emily Watson, Johanna Maria Rimmele, Christian Keitel, Xinyi Guan, Lucy Wight
article en
8 citations

Abstract

The cortical tracking of stimulus features is a crucial neural requisite of how we process continuous music. We here tested whether cortical tracking of the beat, typically related to rhythm processing, is modulated by pitch predictability and other top-down factors. Participants listened to tonal (high pitch predictability) and atonal (low pitch predictability) music while undergoing electroencephalography. We analyzed their cortical tracking of the acoustic envelope. Cortical envelope tracking was stronger while listening to atonal music, potentially reflecting listeners' violated pitch expectations and increased attention allocation. Envelope tracking was also stronger with more expertise and enjoyment. Furthermore, we showed cortical tracking of pitch surprisal (using IDyOM), which suggests that listeners' expectations match those computed by the IDyOM model, with higher surprisal for atonal music. Behaviorally, we measured participants' ability to finger-tap to the beat of tonal and atonal sequences in two experiments. Finger-tapping performance was better in the tonal condition, indicating a positive effect of pitch predictability on behavioral rhythm processing. Cortical envelope tracking predicted tapping performance for tonal music, as did pitch-surprisal tracking for atonal music, indicating that high and low predictability might impose different processing regimes. Taken together, our results show various ways that top-down factors impact musical rhythm processing.

Annals of the New York Academy of SciencesVol. 1546(1)
Carl von Ossietzky Universität Oldenburg (DE), Aston University (GB), University of Dundee (GB), Max Planck Institute for Empirical Aesthetics (DE), Emergent BioSolutions (Canada) (CA), École Polytechnique Fédérale de Lausanne (CH), New York University (US)
Royal Society of Edinburgh, Deutsche Forschungsgemeinschaft, Medical Research Council
Quality Education
Openalex Percentile: Top 1%
Neuroscience and Music Perception
11.45
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