Early Writing Metaphors in Performance

Abstract This article investigates the intersection of writing and performance in early Greek poetry. It takes as a springboard the performed literacy of Callias’ Alphabet Tragedy , and notes the wealth of references to books, writing, and literacy across Old Comedy. Whereas the papyrus roll came to represent poetry as writing from the final quarter of fifth-century BCE , earlier Greek poetry uses a range of writing technologies as metaphors for performance, such as the skytalē , the sphragis , and epigraphic inscription. Other indications that poetry is conceptualized in terms of its written medium in Archaic poetry are examined, including references to poems as lines of text and direct quotation of earlier poets’ work. The article ends with a discussion of how these phenomena relate to what is commonly termed the poet’s sphragis ; the origins of this usage are discussed, as is its suitability to the broad range of phenomena it purports to index.

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Publication Details

Journal
Mnemosyne
Published
2025-03-17
DOI
https://doi.org/10.1163/1568525x-bja10316
Primary Topic
Historical Gender and Feminism Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Early Writing Metaphors in Performance

Daniel Anderson
Mnemosyne
Historical Gender and Feminism Studies
article

Early Writing Metaphors in Performance

Daniel Anderson
article en

Abstract

Abstract This article investigates the intersection of writing and performance in early Greek poetry. It takes as a springboard the performed literacy of Callias’ Alphabet Tragedy , and notes the wealth of references to books, writing, and literacy across Old Comedy. Whereas the papyrus roll came to represent poetry as writing from the final quarter of fifth-century BCE , earlier Greek poetry uses a range of writing technologies as metaphors for performance, such as the skytalē , the sphragis , and epigraphic inscription. Other indications that poetry is conceptualized in terms of its written medium in Archaic poetry are examined, including references to poems as lines of text and direct quotation of earlier poets’ work. The article ends with a discussion of how these phenomena relate to what is commonly termed the poet’s sphragis ; the origins of this usage are discussed, as is its suitability to the broad range of phenomena it purports to index.

MnemosyneVol. 78(2)
Coventry University (GB)
Openalex Percentile: Top 94%
Historical Gender and Feminism Studies
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