<i>A Ramble on Prayer</i> : a collaboration between an artist and a writer

A Ramble on Prayer is a collaborative project that involves multiple stages of interpretation, as creative works are exchanged in response to one another during the early stages of the COVID-19 pandemic in 2020. This article explores the authors’ experiences of collaboration from the positions of painter, creative writer, and researchers. This collaboration is a reflexive and dialogic space for creative self-narration/expression, allowing Adji’s and See’s imagination and subjectivities to discern, develop, and reciprocate each other’s work. In parallel to these creative reciprocations, also sits a dialogue concerning their collaborative processes to reflexively analyse how the collaborators’ use of visual and poetic devices serves as layers of meaning and embodiment of their reflexive praxis. Visual documentation of the collaborative practice, alongside pieces of creative writing, are included to express the sensory details and dialogue, as well as to add further accretions of interpretation.

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Publication Details

Journal
New Writing
Published
2025-03-18
DOI
https://doi.org/10.1080/14790726.2024.2411457
Primary Topic
Visual Culture and Art Theory
Type
article
Field-Weighted Citation Impact
0.00
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article

A Ramble on Prayer : a collaboration between an artist and a writer

Alberta Natasia Adji, Harrison W. See
New Writing
Visual Culture and Art Theory
article

A Ramble on Prayer : a collaboration between an artist and a writer

Alberta Natasia Adji, Harrison W. See
article en

Abstract

A Ramble on Prayer is a collaborative project that involves multiple stages of interpretation, as creative works are exchanged in response to one another during the early stages of the COVID-19 pandemic in 2020. This article explores the authors’ experiences of collaboration from the positions of painter, creative writer, and researchers. This collaboration is a reflexive and dialogic space for creative self-narration/expression, allowing Adji’s and See’s imagination and subjectivities to discern, develop, and reciprocate each other’s work. In parallel to these creative reciprocations, also sits a dialogue concerning their collaborative processes to reflexively analyse how the collaborators’ use of visual and poetic devices serves as layers of meaning and embodiment of their reflexive praxis. Visual documentation of the collaborative practice, alongside pieces of creative writing, are included to express the sensory details and dialogue, as well as to add further accretions of interpretation.

New WritingVol. 22(2)
Edith Cowan University (AU)
Openalex Percentile: Top 95%
Visual Culture and Art Theory
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