DEATH, RESURRECTION, AND REALISM IN EURIPIDES’ <i>ALCESTIS</i>

‘There is no well-known individual in all Greek mythology except Alcestis [original emphasis] who dies and is returned to human life without cosmic repercussions which are soon remedied’ (John Heath). The ineluctability of death is not just a feature of Greek myth in general but is also one of the most prominent themes in Euripides’ version of the story in his play Alcestis (438 bc ). A further problem is that Greek tragedy is a basically realistic genre which is not hospitable to violations of the laws of nature. Euripides thus set himself a remarkable challenge in Alcestis , to present an event which violates a law of nature which is so unbreakable that it is on the whole observed throughout Greek mythology as well as being repeatedly affirmed in the play. This article will examine how he succeeds in doing so in a way which is dramatically convincing.

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Publication Details

Journal
Greece and Rome
Published
2025-03-18
DOI
https://doi.org/10.1017/s0017383524000214
Primary Topic
Crime, Deviance, and Social Control
Type
article
Field-Weighted Citation Impact
0.00
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article

DEATH, RESURRECTION, AND REALISM IN EURIPIDES’ ALCESTIS

Michael Lloyd
Greece and Rome
Crime, Deviance, and Social Control
article

DEATH, RESURRECTION, AND REALISM IN EURIPIDES’ ALCESTIS

Michael Lloyd
article en

Abstract

‘There is no well-known individual in all Greek mythology except Alcestis [original emphasis] who dies and is returned to human life without cosmic repercussions which are soon remedied’ (John Heath). The ineluctability of death is not just a feature of Greek myth in general but is also one of the most prominent themes in Euripides’ version of the story in his play Alcestis (438 bc ). A further problem is that Greek tragedy is a basically realistic genre which is not hospitable to violations of the laws of nature. Euripides thus set himself a remarkable challenge in Alcestis , to present an event which violates a law of nature which is so unbreakable that it is on the whole observed throughout Greek mythology as well as being repeatedly affirmed in the play. This article will examine how he succeeds in doing so in a way which is dramatically convincing.

Greece and RomeVol. 72(1)
University College Dublin (IE)
Openalex Percentile: Top 94%
Crime, Deviance, and Social Control
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DEATH, RESURRECTION, AND REALISM IN EURIPIDES’ <i>ALCESTIS</i> — Michael Lloyd · Greece and Rome (2025) | TGRS Research Map | TGRS