Pelestarian Wayang Wong di Griya Penida, Desa Batuagung, Kecamatan Jembrana, Kabupaten Jembrana, Bali

Wayang wong is a mask and shadow puppet performance art in which the performers are humans. This art form holds a deep connection with religious spirituality, such as the Ramayana Wayang Wong at Griya Penida, located in Batuagung Village, Jembrana District, Jembrana Regency. The ancestors of Griya Penida brought wayang wong along with the establishment of Griya Penida around the year 1800. Griya Penida has made efforts to maintain the sacredness and continuity of wayang wong, supported by the entire people of Batuagung Village. Therefore, this research aims to describe the role of Griya Penida and analyze the function and meaning of wayang wong for Griya Penida and the Batuagung Village community. This research uses observation, interview, and document study techniques. This research also uses a qualitative method with an emphasis on interpretative description. The results of this study explain the forms of preservation carried out by Griya Penida as the main caretaker and the participation of the Batuagung Village community in maintaining the sacredness and continuity of wayang wong. This research also reveals the functions and meanings contained in wayang wong art.

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Publication Details

Journal
Pustaka Jurnal Ilmu-Ilmu Budaya
Published
2025-03-15
DOI
https://doi.org/10.24843/pjiib.2025.v25.i01.p10
Primary Topic
Community-based Tourism Development and Sustainability
Type
article
Field-Weighted Citation Impact
0.00
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article

Pelestarian Wayang Wong di Griya Penida, Desa Batuagung, Kecamatan Jembrana, Kabupaten Jembrana, Bali

Ida Bagus Oka Wedasantara, Ida Ayu Alit Laksmiwati, Ida Ayu Rara Meswara Laksmi
Pustaka Jurnal Ilmu-Ilmu Budaya
Community-based Tourism Development and Sustainability
article

Pelestarian Wayang Wong di Griya Penida, Desa Batuagung, Kecamatan Jembrana, Kabupaten Jembrana, Bali

Ida Bagus Oka Wedasantara, Ida Ayu Alit Laksmiwati, Ida Ayu Rara Meswara Laksmi
article en

Abstract

Wayang wong is a mask and shadow puppet performance art in which the performers are humans. This art form holds a deep connection with religious spirituality, such as the Ramayana Wayang Wong at Griya Penida, located in Batuagung Village, Jembrana District, Jembrana Regency. The ancestors of Griya Penida brought wayang wong along with the establishment of Griya Penida around the year 1800. Griya Penida has made efforts to maintain the sacredness and continuity of wayang wong, supported by the entire people of Batuagung Village. Therefore, this research aims to describe the role of Griya Penida and analyze the function and meaning of wayang wong for Griya Penida and the Batuagung Village community. This research uses observation, interview, and document study techniques. This research also uses a qualitative method with an emphasis on interpretative description. The results of this study explain the forms of preservation carried out by Griya Penida as the main caretaker and the participation of the Batuagung Village community in maintaining the sacredness and continuity of wayang wong. This research also reveals the functions and meanings contained in wayang wong art.

Pustaka Jurnal Ilmu-Ilmu BudayaVol. 25(1)
Udayana University (ID)
Openalex Percentile: Top 94%
Community-based Tourism Development and Sustainability
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