In Praise of the Playful, Silly, Goofy Middle School Music Teacher

Anecdotal evidence from observing masterful middle school music educators suggests they often place emphasis on inside jokes, quirky puppets/mascots/artifacts, imaginative conversations, and a mode of teaching that invites laughter and fun. This type of playfulness can satisfy both community-building and instructional purposes. Despite the prevalence of such playfulness, this important aspect of middle school music teaching has been long neglected in scholarly journals. Therefore, the purpose of this article is to recognize the effectiveness of middle school music teacher playfulness and the approaches built around such an ethos. I first define teacher playfulness and relate it to the concepts of play, pedagogical creativity, and adolescent brain development. I give examples of how ensemble teachers engage with purposeful playfulness in their classrooms, and I give recommendations and considerations for the music teacher interested in infusing their teaching with playful ideas. Although there are possible objections to playfulness in secondary ensemble classrooms, I aim to persuade middle school teachers to acknowledge the value of being silly and using humor to derive positive effects on community and learning.

Authors

Publication Details

Journal
Music Educators Journal
Published
2025-03-01
DOI
https://doi.org/10.1177/00274321241312157
Citations
1
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
19.03
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article

In Praise of the Playful, Silly, Goofy Middle School Music Teacher

Ryan D. Shaw
1 citations
Music Educators Journal
Diverse Music Education Insights
19.03
article

In Praise of the Playful, Silly, Goofy Middle School Music Teacher

Ryan D. Shaw
article en
1 citations

Abstract

Anecdotal evidence from observing masterful middle school music educators suggests they often place emphasis on inside jokes, quirky puppets/mascots/artifacts, imaginative conversations, and a mode of teaching that invites laughter and fun. This type of playfulness can satisfy both community-building and instructional purposes. Despite the prevalence of such playfulness, this important aspect of middle school music teaching has been long neglected in scholarly journals. Therefore, the purpose of this article is to recognize the effectiveness of middle school music teacher playfulness and the approaches built around such an ethos. I first define teacher playfulness and relate it to the concepts of play, pedagogical creativity, and adolescent brain development. I give examples of how ensemble teachers engage with purposeful playfulness in their classrooms, and I give recommendations and considerations for the music teacher interested in infusing their teaching with playful ideas. Although there are possible objections to playfulness in secondary ensemble classrooms, I aim to persuade middle school teachers to acknowledge the value of being silly and using humor to derive positive effects on community and learning.

Music Educators JournalVol. 111(3)
Openalex Percentile: Top 3%
Diverse Music Education Insights
19.03
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