“Achever ce monument dans son caractère primitif” (“complete this monument in its original character”): The Genesis and Failure of Viollet-le-Duc’s Project to Complete the Church of Saint-Just in Narbonne

In France during the July Monarchy (1830–48), the nation’s heritage authorities initiated several projects to complete unfinished medieval churches. Many of these projects fall into a gray zone between restoration and new construction which challenged their successful outcome. This article focuses on one example of this type of project: the completion of the Church of Saint-Just in Narbonne, undertaken by the French architect Eugène Emmanuel Viollet-le-Duc between 1838 and 1842, at the beginning of his career. After only a few years, Viollet-le-Duc began to oppose the project, eventually disavowing it altogether. Previously unpublished archival materials illuminate the practical, political, and theoretical reasons for his decision.

Authors

Publication Details

Journal
Nineteenth-Century Art Worldwide
Published
2025-03-14
DOI
https://doi.org/10.29411/ncaw.2025.24.1.4
Primary Topic
European Political History Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

“Achever ce monument dans son caractère primitif” (“complete this monument in its original character”): The Genesis and Failure of Viollet-le-Duc’s Project to Complete the Church of Saint-Just in Narbonne

Margherita Tabanelli
Nineteenth-Century Art Worldwide
European Political History Analysis
article

“Achever ce monument dans son caractère primitif” (“complete this monument in its original character”): The Genesis and Failure of Viollet-le-Duc’s Project to Complete the Church of Saint-Just in Narbonne

Margherita Tabanelli
article en

Abstract

In France during the July Monarchy (1830–48), the nation’s heritage authorities initiated several projects to complete unfinished medieval churches. Many of these projects fall into a gray zone between restoration and new construction which challenged their successful outcome. This article focuses on one example of this type of project: the completion of the Church of Saint-Just in Narbonne, undertaken by the French architect Eugène Emmanuel Viollet-le-Duc between 1838 and 1842, at the beginning of his career. After only a few years, Viollet-le-Duc began to oppose the project, eventually disavowing it altogether. Previously unpublished archival materials illuminate the practical, political, and theoretical reasons for his decision.

Nineteenth-Century Art WorldwideVol. 24(1)
Openalex Percentile: Top 95%
European Political History Analysis
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