Not Following the Book: A Journey from Museum Conservator to Digital Humanities Researcher

This article explores the transformative power of innovation and collaboration in the realm of cultural heritage management, particularly focusing on the conservation and documentation of art exhibitions. Beginning with the creation of Novart, a relational database designed to integrate collection management and exhibition production, the narrative delves into the complexities of contemporary art conservation. It examines the fluid nature of exhibitions and the evolving landscape of conservation practices, emphasizing the need for adaptability and interdisciplinary collaboration. Through practical experiences in institutions like Luma Arles, where limitations of existing tools spurred the quest for innovative solutions, the narrative highlights the persistence of custom database development driven by the imperative to bridge the gap between conservation practices and digital innovation. Amid setbacks and organizational challenges, Novart emerges as a tool to streamline exhibition documentation and enhance museum operations, serving as a repository of institutional memory and information-sharing platform. Looking ahead, the narrative envisions a transition to academic research and a commitment to promoting interdisciplinary approaches in digital humanities. Proposing an innovative methodology for exhibition conservation, the thesis proposal reflects a deep commitment to preserving complex and ephemeral media for present and future generations. In essence, this journey encapsulates the spirit of innovation, collaboration, and perseverance essential for addressing the challenges of cultural heritage management in the digital age.