Literature, Performance, and Loving the Buddha in the Avadanasataka

This paper presents three literary strategies used in the portrayal of the Buddha in the Avadanasataka and asks what they tell us about the text, the Buddha, and the ways in which we as scholars should approach Buddhist literature. Through formulaic passages, audience responses, and glimpses of humanity counterbalancing the glories of the superhuman Buddha, this particular text offers a literary Buddha that is transformative for those he encounters both inside and outside the text. As such, this literary Buddha raises questions about the interface between literary creativity and Buddhist textual practice.

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Publication Details

Journal
Buddhist Studies Review
Published
2025-03-14
DOI
https://doi.org/10.1558/bsrv.33095
Primary Topic
Indian and Buddhist Studies
Type
article
Field-Weighted Citation Impact
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article

Literature, Performance, and Loving the Buddha in the Avadanasataka

Naomi Appleton
Buddhist Studies Review
Indian and Buddhist Studies
article

Literature, Performance, and Loving the Buddha in the Avadanasataka

Naomi Appleton
article en

Abstract

This paper presents three literary strategies used in the portrayal of the Buddha in the Avadanasataka and asks what they tell us about the text, the Buddha, and the ways in which we as scholars should approach Buddhist literature. Through formulaic passages, audience responses, and glimpses of humanity counterbalancing the glories of the superhuman Buddha, this particular text offers a literary Buddha that is transformative for those he encounters both inside and outside the text. As such, this literary Buddha raises questions about the interface between literary creativity and Buddhist textual practice.

Buddhist Studies ReviewVol. 41(1-2)
University of Edinburgh (GB)
Quality Education
Openalex Percentile: Top 96%
Indian and Buddhist Studies
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