Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico

This article examines Prime Video’s original comedy content in Mexico through aesthetic and industrial analysis, and identifies, describes and explains non-disruptive streaming television programming, a category of streaming television content that represents a clear sense of continuity with legacy television. This study highlights the relevance of Mexican actor and producer Eugenio Derbez and his family in Prime Video’s expansion in Mexico. It also reveals that non-disruptive streaming prolongs tensions between continuity and change in television, exemplifies the negotiations and adaptations from transnational streaming expansion, and helps explain the mainstream adoption of streaming platforms in markets like Mexico.

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Publication Details

Journal
Critical Studies in Television The International Journal of Television Studies
Published
2025-03-14
DOI
https://doi.org/10.1177/17496020251327096
Citations
1
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
3.13
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article

Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico

Guillermo Echauri
1 citations
Critical Studies in Television The International Journal of Television Studies
Cinema and Media Studies
3.13
article

Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico

Guillermo Echauri
article en
1 citations

Abstract

This article examines Prime Video’s original comedy content in Mexico through aesthetic and industrial analysis, and identifies, describes and explains non-disruptive streaming television programming, a category of streaming television content that represents a clear sense of continuity with legacy television. This study highlights the relevance of Mexican actor and producer Eugenio Derbez and his family in Prime Video’s expansion in Mexico. It also reveals that non-disruptive streaming prolongs tensions between continuity and change in television, exemplifies the negotiations and adaptations from transnational streaming expansion, and helps explain the mainstream adoption of streaming platforms in markets like Mexico.

Critical Studies in Television The International Journal of Television Studies
Universidad Nacional Autónoma de México (MX)
Openalex Percentile: Top 9%
Cinema and Media Studies
3.13
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