Mexican Modernity and Revolution in Estridentismo and Sonido 13

This essay will compare two avant-gardes formed in 1920s Mexico as part of the processes derived from the Revolution that the country was just emerging from. Estridentismo (which can be roughly translated as “stridentism”) in visual arts and literature and Sonido 13 (“the 13th sound”) in music, were both immersed in the intellectual dynamics and currents of post-Revolutionary

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Publication Details

Journal
Modernism/Modernity Print Plus
Published
2025-02-19
DOI
https://doi.org/10.26597/mod.0314
Citations
1
Primary Topic
Cultural and Social Studies in Latin America
Type
article
Field-Weighted Citation Impact
15.18
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article

Mexican Modernity and Revolution in Estridentismo and Sonido 13

David Flores
1 citations
Modernism/Modernity Print Plus
Cultural and Social Studies in Latin America
15.18
article

Mexican Modernity and Revolution in Estridentismo and Sonido 13

David Flores
article en
1 citations

Abstract

This essay will compare two avant-gardes formed in 1920s Mexico as part of the processes derived from the Revolution that the country was just emerging from. Estridentismo (which can be roughly translated as “stridentism”) in visual arts and literature and Sonido 13 (“the 13th sound”) in music, were both immersed in the intellectual dynamics and currents of post-Revolutionary

Modernism/Modernity Print PlusVol. 9(2)
Openalex Percentile: Top 3%
Cultural and Social Studies in Latin America
15.18
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Mexican Modernity and Revolution in Estridentismo and Sonido 13 — David Flores · Modernism/Modernity Print Plus (2025) | TGRS Research Map | TGRS