Counterfaiths: Religious Visual Culture and Jean Rhys’s Wide Sargasso Sea

“Well, I’m going to tell you something I’ve never told anyone else,” Jean Rhys, shortly before her death in 1979, said to David Plante, as he relates it in Difficult Women (1983). Rhys cautioned that the story would sound familiar; however, she had told him “part of it, but not all” (Plante, Difficult Women, 47). The familiar part involved Rhys and her husband, Max, at their

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Publication Details

Journal
Modernism/Modernity Print Plus
Published
2025-02-19
DOI
https://doi.org/10.26597/mod.0306
Primary Topic
Visual Culture and Art Theory
Type
article
Field-Weighted Citation Impact
0.00
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article

Counterfaiths: Religious Visual Culture and Jean Rhys’s Wide Sargasso Sea

Jack Dudley
Modernism/Modernity Print Plus
Visual Culture and Art Theory
article

Counterfaiths: Religious Visual Culture and Jean Rhys’s Wide Sargasso Sea

Jack Dudley
article en

Abstract

“Well, I’m going to tell you something I’ve never told anyone else,” Jean Rhys, shortly before her death in 1979, said to David Plante, as he relates it in Difficult Women (1983). Rhys cautioned that the story would sound familiar; however, she had told him “part of it, but not all” (Plante, Difficult Women, 47). The familiar part involved Rhys and her husband, Max, at their

Modernism/Modernity Print PlusVol. 9(2)
Openalex Percentile: Top 96%
Visual Culture and Art Theory
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Counterfaiths: Religious Visual Culture and Jean Rhys’s Wide Sargasso Sea — Jack Dudley · Modernism/Modernity Print Plus (2025) | TGRS Research Map | TGRS