Counterfaiths: Religious Visual Culture and Jean Rhys’s Wide Sargasso Sea
“Well, I’m going to tell you something I’ve never told anyone else,” Jean Rhys, shortly before her death in 1979, said to David Plante, as he relates it in Difficult Women (1983). Rhys cautioned that the story would sound familiar; however, she had told him “part of it, but not all” (Plante, Difficult Women, 47). The familiar part involved Rhys and her husband, Max, at their
Authors
- Jack Dudley
Publication Details
- Journal
- Modernism/Modernity Print Plus
- Published
- 2025-02-19
- DOI
- https://doi.org/10.26597/mod.0306
- Primary Topic
- Visual Culture and Art Theory
- Type
- article
- Field-Weighted Citation Impact
- 0.00