An Analysis of Subjectivity in D. H. Hwang’s Semi Autobiographical Work: Soft Power

David Henry Hwang, in his earlier works such as M. Butterfly and Yellow Face, explored his subjectivity through Asian female characters. Soft Power expands this exploration into social and political realms, incorporating Hwang’s personal experience with anti-Asian hate crimes. The female characters Zoe and Hillary Clinton represent distinct narrative layers, symbolizing the intersection of reality and fiction while facilitating Hwang’s journey toward searching his subjectivity. The play critiques American democracy by subverting Western perspectives and envisioning a multicultural, transnational identity. Through Soft Power, Hwang emphasizes the fluidity of identity and advocates for inclusivity and political change through art. As an Asian American, he envisions a democracy that transcends racial boundaries and reflects a hope for a more inclusive and equitable society.