Canadian inter-regionalism and shades of grey in Kate Beaton’s <i>Ducks</i>

Kate Beaton’s 2022 graphic memoir Ducks recounts the author’s time spent working in Alberta’s oil sands boom in the early 2000s. Although it focuses on one woman’s experiences, Beaton’s work also helps readers to understand the broader eco-social impacts of oil sands work camps, which are characterised by significant gender imbalances, regional differences, and an industry culture more concerned with the optics of safety than with its reality. In particular, it is Beaton’s use of specific techniques drawn from comics and cartooning – including colouring, panel arrangement, and use of monochromatic pages – that prompts critical reflection on how the public sees oil workers and how they understand their own roles in relation to communities, both while on the job and long afterwards. Such improved understanding of everyday experiences of oil work in Canada will be key to generating public will to act compassionately and pragmatically as the climate crisis increasingly leads disparate parts of the country to experience similar phenomena, such as extreme weather and wildfires.

Authors

Publication Details

Journal
British Journal of Canadian Studies
Published
2025-03-12
DOI
https://doi.org/10.3828/bjcs.2025.3
Primary Topic
Media, Gender, and Advertising
Type
article
Field-Weighted Citation Impact
0.00
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article

Canadian inter-regionalism and shades of grey in Kate Beaton’s Ducks

Jenny Kerber
British Journal of Canadian Studies
Media, Gender, and Advertising
article

Canadian inter-regionalism and shades of grey in Kate Beaton’s Ducks

Jenny Kerber
article en

Abstract

Kate Beaton’s 2022 graphic memoir Ducks recounts the author’s time spent working in Alberta’s oil sands boom in the early 2000s. Although it focuses on one woman’s experiences, Beaton’s work also helps readers to understand the broader eco-social impacts of oil sands work camps, which are characterised by significant gender imbalances, regional differences, and an industry culture more concerned with the optics of safety than with its reality. In particular, it is Beaton’s use of specific techniques drawn from comics and cartooning – including colouring, panel arrangement, and use of monochromatic pages – that prompts critical reflection on how the public sees oil workers and how they understand their own roles in relation to communities, both while on the job and long afterwards. Such improved understanding of everyday experiences of oil work in Canada will be key to generating public will to act compassionately and pragmatically as the climate crisis increasingly leads disparate parts of the country to experience similar phenomena, such as extreme weather and wildfires.

British Journal of Canadian StudiesVol. 37(1)
Openalex Percentile: Top 94%
Media, Gender, and Advertising
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Canadian inter-regionalism and shades of grey in Kate Beaton’s <i>Ducks</i> — Jenny Kerber · British Journal of Canadian Studies (2025) | TGRS Research Map | TGRS