Naturalistic Music Decoding from EEG Data via Latent Diffusion Models

In this article, we explore the potential of using latent diffusion models, a family of powerful generative models, for the task of reconstructing naturalistic music from electroencephalogram (EEG) recordings. Unlike simpler music with limited timbres, such as MIDI-generated tunes or monophonic pieces, the focus here is on intricate music featuring a diverse array of instruments, voices, and effects, rich in harmonics and timbre. This study represents an initial foray into achieving general music reconstruction of high-quality using non-invasive EEG data, employing an end-to-end training approach directly on raw data without the need for manual pre-processing and channel selection. We train our models on the public NMED- T dataset and perform quantitative evaluation proposing neural embedding-based metrics. Our work contributes to the ongoing research in neural decoding and brain-computer interfaces, offering insights into the feasibility of using EEG data for complex auditory information reconstruction.

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Publication Details

Published
2025-03-12
DOI
https://doi.org/10.1109/icassp49660.2025.10887735
Citations
4
Primary Topic
Music and Audio Processing
Type
article
Field-Weighted Citation Impact
5.94
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Naturalistic Music Decoding from EEG Data via Latent Diffusion Models

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4 citations
Music and Audio Processing
5.94
article

Naturalistic Music Decoding from EEG Data via Latent Diffusion Models

Natalia Polouliakh, Emilian Postolache, Akima Connelly, Luca Cosmo, Emanuele Rodolà, Taketo Akama, Hiroaki Kitano
article en
4 citations

Abstract

In this article, we explore the potential of using latent diffusion models, a family of powerful generative models, for the task of reconstructing naturalistic music from electroencephalogram (EEG) recordings. Unlike simpler music with limited timbres, such as MIDI-generated tunes or monophonic pieces, the focus here is on intricate music featuring a diverse array of instruments, voices, and effects, rich in harmonics and timbre. This study represents an initial foray into achieving general music reconstruction of high-quality using non-invasive EEG data, employing an end-to-end training approach directly on raw data without the need for manual pre-processing and channel selection. We train our models on the public NMED- T dataset and perform quantitative evaluation proposing neural embedding-based metrics. Our work contributes to the ongoing research in neural decoding and brain-computer interfaces, offering insights into the feasibility of using EEG data for complex auditory information reconstruction.

Tokyo Institute of Technology (JP), Ca' Foscari University of Venice (IT), Sony Computer Science Laboratories (JP), Sapienza University of Rome (IT)
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Openalex Percentile: Top 4%
Music and Audio Processing
5.94
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