An Aniconic Early Christian Silver Reliquary and Related Objects

An unpublished cube-shaped silver casket, most likely made in Niš (Naissus) and now in a private collection in Vienna, is decorated with a Christogram and geometric motifs. Stylistic comparisons support a date in the middle of the fourth century, and the layout of its aniconic decoration associates the casket with a group of early silver reliquaries. The selection of geometric motifs resembles the use of synonyms, when multiple words communicate the same or similar ideas. If the interpretation of the patterns presented here is accepted, the aniconic decoration of the casket evokes patterns that resemble or refer to crosses. The material, image, and function of the aniconic casket shed light on the use of silver for containers of sacred matter, such as relics of the True Cross, by the middle of the fourth century.

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Publication Details

Journal
Journal of Late Antique Islamic and Byzantine Studies
Published
2025-03-01
DOI
https://doi.org/10.3366/jlaibs.2025.0041
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
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article

An Aniconic Early Christian Silver Reliquary and Related Objects

Galit Noga-Banai, Andreas Liebmann
4 links
Journal of Late Antique Islamic and Byzantine Studies
Cultural Heritage Materials Analysis
article

An Aniconic Early Christian Silver Reliquary and Related Objects

Galit Noga-Banai, Andreas Liebmann
article en

Abstract

An unpublished cube-shaped silver casket, most likely made in Niš (Naissus) and now in a private collection in Vienna, is decorated with a Christogram and geometric motifs. Stylistic comparisons support a date in the middle of the fourth century, and the layout of its aniconic decoration associates the casket with a group of early silver reliquaries. The selection of geometric motifs resembles the use of synonyms, when multiple words communicate the same or similar ideas. If the interpretation of the patterns presented here is accepted, the aniconic decoration of the casket evokes patterns that resemble or refer to crosses. The material, image, and function of the aniconic casket shed light on the use of silver for containers of sacred matter, such as relics of the True Cross, by the middle of the fourth century.

Journal of Late Antique Islamic and Byzantine StudiesVol. 4(1)
Hebrew University of Jerusalem (IL)
Openalex Percentile: Top 93%
Cultural Heritage Materials Analysis
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